Thomas McGuane Books In Order

Standalone Novels In Publication Order

  1. The Sporting Club (1968)
  2. The Bushwhacked Piano (1971)
  3. Ninety-two in the Shade (1973)
  4. Panama (1978)
  5. Nobody’s Angel (1982)
  6. Something to Be Desired (1984)
  7. Keep the Change (1989)
  8. Nothing but Blue Skies (1992)
  9. The Cadence of Grass (2002)
  10. Driving on the Rim (2010)

Short Stories/Novellas In Publication Order

  1. The Refugee (2016)

Plays In Publication Order

  1. The Missouri Breaks (1976)

Collections In Publication Order

  1. To Skin a Cat (1986)
  2. Gallatin Canyon (2006)
  3. Crow Fair (2015)
  4. Cloudbursts (2018)

Best American Sports Writing Books In Publication Order

  1. The Best American Sports Writing 1992 (1992)
  2. The Best American Sports Writing 2005 (By:Mike Lupica) (2005)

Non-Fiction Books In Publication Order

  1. An Outside Chance (1980)
  2. Some Horses (1999)
  3. The Longest Silence (1999)
  4. Charles Lindsay (2000)
  5. Horses (2005)

Best American Short Stories Books In Publication Order

  1. The Best Short Stories of 1915 (1916)
  2. The Best Short Stories of 1916 (1916)
  3. The Best Short Stories of 1917 (1917)
  4. The Best Short Stories of 1918 (1918)
  5. The Best Short Stories of 1919 (1919)
  6. The Best Short Stories of 1921 (1921)
  7. The Best Short Stories of 1922 (1922)
  8. The Best Short Stories of 1923 (1923)
  9. The Best Short Stories 1924 (1924)
  10. The Best Short Stories of 1925 (1925)
  11. The Best Short Stories 1926 (1926)
  12. The Best Short Stories 1927 (1927)
  13. The Best Short Stories of 1928 (1928)
  14. The Best Short Stories of 1929 (1929)
  15. The Best Short Stories 1930 (1930)
  16. The Best Short Stories 1931 (1931)
  17. The Best Short Stories of 1932 (1932)
  18. The Best Short Stories 1933 (1933)
  19. The Best Short Stories 1934 (1934)
  20. The Best Short Stories 1935 (1935)
  21. The Best Short Stories 1936 (1936)
  22. The Best Short Stories 1937 (1937)
  23. The Best Short Stories of 1938 (1938)
  24. 50 Best American Short Stories, 1915-1939 (1939)
  25. The Best Short Stories 1939 (1939)
  26. The Best Short Stories of 1940 (1940)
  27. The Best Short Stories 1941 (1941)
  28. The Best American Short Stories 1942 (1942)
  29. The Best American Short Stories 1943 (1943)
  30. The Best American Short Stories 1944 (1944)
  31. The Best American Short Stories 1945 (1945)
  32. The Best American Short Stories 1946 (1946)
  33. The Best American Short Stories 1947 (1947)
  34. The Best American Short Stories 1948 (1948)
  35. The Best American Short Stories 1949 (1949)
  36. The Best American Short Stories 1950 (1950)
  37. The Best American Short Stories 1951 (1951)
  38. The Best American Short Stories 1952 (1952)
  39. The Best American Short Stories 1953 (1953)
  40. The Best American Short Stories 1955 (1955)
  41. The Best American Short Stories 1956 (1956)
  42. The Best American Short Stories 1957 (1957)
  43. The Best American Short Stories 1958 (1958)
  44. The Best American Short Stories 1959 (1959)
  45. The Best American Short Stories 1960 (1960)
  46. The Best American Short Stories 1961 (1961)
  47. The Best American Short Stories 1962 (1962)
  48. The Best American Short Stories 1963 (1963)
  49. The Best American Short Stories 1964 (1964)
  50. The Best American Short Stories 1965 (1965)
  51. The Best American Short Stories 1966 (1966)
  52. The Best American Short Stories 1967 (1967)
  53. The Best American Short Stories 1968 (1967)
  54. The Best American Short Stories of 1969 (1969)
  55. The Best American Short Stories 1970 (1970)
  56. The Best American Short Stories 1971 (1971)
  57. The Best American Short Stories 1972 (1972)
  58. The Best American Short Stories 1973 (1973)
  59. The Best American Short Stories 1974 (1974)
  60. The Best of Best American Short Stories 1915-1950 (1975)
  61. The Best American Short Stories 1975 (1975)
  62. The Best American Short Stories 1976 (1976)
  63. The Best American Short Stories 1977 (1977)
  64. The Best American Short Stories 1978 (1978)
  65. The Best American Short Stories 1979 (1979)
  66. The Best American Short Stories 1980 (1980)
  67. The Best American Short Stories 1981 (1981)
  68. The Best American Short Stories 1982 (1982)
  69. The Best American Short Stories 1983 (1983)
  70. The Best American Short Stories 1984 (1984)
  71. The Best American Short Stories 1985 (1985)
  72. The Best American Short Stories 1986 (1986)
  73. The Best American Short Stories 1987 (1987)
  74. The Best American Short Stories 1988 (1988)
  75. The Best American Short Stories 1989 (1989)
  76. The Best American Short Stories of the Eighties (1990)
  77. The Best American Short Stories 1990 (1990)
  78. The Best American Short Stories 1991 (1991)
  79. The Best American Short Stories 1992 (1992)
  80. The Best American Short Stories 1993 (1993)
  81. The Best American Short Stories 1994 (1994)
  82. The Best American Short Stories 1995 (1995)
  83. The Best American Short Stories 1996 (1996)
  84. The Best American Short Stories 1997 (1997)
  85. The Best American Short Stories 1998 (1998)
  86. The Best American Short Stories 1999 (1999)
  87. The Best American Short Stories 2000 (2000)
  88. The Best American Short Stories of the Century (2000)
  89. The Best American Short Stories 2001 (2001)
  90. The Best American Short Stories 2002 (2002)
  91. The Best American Short Stories 2003 (2003)
  92. The Best American Short Stories 2004 (2004)
  93. The Best American Short Stories 2005 (2005)
  94. The Best American Short Stories 2006 (2006)
  95. The Best American Short Stories 2007 (2007)
  96. The Best Short Stories of 1921, and the Yearbook of the American Short Story (2007)
  97. The Best American Short Stories1921 (2007)
  98. The Best American Short Stories 2008 (2008)
  99. The Best American Short Stories 2009 (2009)
  100. The Best American Short Stories 2010 (2010)
  101. The Best American Short Stories 2011 (2011)
  102. The Best American Short Stories 2012 (2012)
  103. The Best American Short Stories 2013 (2013)
  104. The Best American Short Stories 2014 (2014)
  105. The Best American Short Stories 2015 (2015)
  106. 100 Years of The Best American Short Stories (2015)
  107. The Best American Short Stories 2016 (2016)
  108. The Best American Short Stories 2017 (2017)
  109. The Best American Short Stories 2018 (2018)
  110. The Best American Short Stories 2019 (2019)
  111. The Best American Short Stories 2020 (2020)

Anthologies In Publication Order

  1. Wild Stories (2002)

Standalone Novels Book Covers

Short Stories/Novellas Book Covers

Plays Book Covers

Collections Book Covers

Best American Sports Writing Book Covers

Non-Fiction Book Covers

Best American Short Stories Book Covers

Anthologies Book Covers

Thomas McGuane Books Overview

The Sporting Club

Two old friends strike up an old feud filled with dangerous games on the vast preserve of their hunting club in this rollicking story of boyhood rivalries pushed to the limit.

The Bushwhacked Piano

A heroic young man is in pursuit of a spoiled rich girl, a career, and a manageable portion of the American Dream.

Ninety-two in the Shade

The central character in this novel, Thomas Skelton, is a refugee from the world of drug addicts and misfits. He goes home to Key West which itself turns out to be an alien world torrid, hostile and grotesque. The author has also written ‘The Sporting Club’, ‘The Bushwacked Piano’ and ‘Panama’.

Panama

This book was digitized and reprinted from the collections of the University of California Libraries. Together, the more than one hundred UC Libraries comprise the largest university research library in the world, with over thirty-five million volumes in their holdings. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library. HP’s patented BookPrep technology was used to clean artifacts resulting from use and digitization, improving your reading experience.

Nobody’s Angel

Patrick Fitzpatrick is a former soldier, a fourth generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane’s Montana. Nowhere has McGuane mapped that territory more precisely or with such tenderhearted lunacy than in Nobody’s Angel, a novel that places him in a genre of his own.

Something to Be Desired

A physical novel in which Lucien Taylor, a native son of Montana, embarks on a half witted, half unwilling journey into self discovery.

Keep the Change

Joe Starling, a man teetering on the edge of spectacular failures as an artist, rancher, lover, and human being is also a man of noble ambitions. His struggle to right himself is mesmerizing, hilarious, and profoundly moving.

Nothing but Blue Skies

Frank has always been one step ahead of the game: Successful in business, lucky in love, he’s built a financial empire and managed to have fun along the way. He’s raised a daughter who’s as sensible as she is delightful, he still has time to go fishing, and his life seems as bright and clear as the big sky of Montana. But when love goes wrong, he becomes an American hero on the run from his own life.

The Cadence of Grass

In his first novel since his best selling Nothing but Blue Skies, and thirty three years after The Sporting Club established his reputation, Thomas McGuane’s trademark combination of high wit, low behavior, and hard won wisdom has never been on sharper or, ultimately, more moving display. This is the story of the Whitelaws, a family whose values are as far flung as the territory they helped settle, and whose most recent generations have pioneered the landscape of dysfunction. The patriarch, Sunny Jim, exerts his perverse control even posthumously, by means of a last will and testament that binds the family fortune a bottling franchise to a marriage that ought, by general assent, to be rent asunder. The charms of this particular son in law, lately released from prison, are potent if short lived; Evelyn Whitelaw, his estranged wife, is quite literally bedeviled by them. And as her mother and sister court this twisted inheritance, her own yearnings point toward a way of life once habitual on these western plains but now embodied only by Bill Champion, the family s ranch foreman and Evelyn s one true compass.A novel charged with the relentless and often contradictory claims of blood, money, history, and love, The Cadence of Grass is at once a masterpiece of savage comedy and an elegy for what has been lost. Long one of our most compelling novelists, Thomas McGuane has written the most ambitious book of his singularly distinguished career.

Driving on the Rim

From one of America’s most acclaimed literary figures an important as well as brilliant novelist The New York Times Book Review a major new novel that hilariously takes the pulse of our times. The unforgettable voyager of this dark comic journey is I. B. Berl Pickett, M.D., the die of whose uncharmed life was probably cast as soon as his mother got the bright idea to name him after Irving Berlin. The boyhood insults to any chance of normalcy piled on apace thereafter: the traumatizing, spasmodic spectacle of Pentecostalist Sunday worship; the socially inhibitory accompaniment of his parents on their itinerant rug shampooing business; the undue technical advancement and emotional re*tardation that ensued from his erotic initiation at the hands of his aunt. What would have become of this soul had he not gone to medical school, thanks to the surrogate parenting of a local physician and solitary bird hunter? But there is meaning to life beyond professional accreditation, even in the noblest of callings. Berl s been on a mission to find it these past few years, though with scant equipment or basis for hope. Hard to say for the moment anyway whether his mission has been aided or set back by his having fallen under suspicion of negligent homicide in the death of his former lover. All the same, being ostracized by virtually all his colleagues at the clinic gives him something to chew on: the reality of small town living as total surveillance more than any semblance of fellowship, even among folks you ve known your whole life. Fortunately, for Berl, it doesn t take a village. And he will find his deliverance in continuing to practice medicine one way or another, as well as in the few human connections he has made, wittingly or not, over the years. The landscape, too, will furnish a hint in what might yet prove, if not a certifiable epiphany, a semi spiritual awakening in I. B. Pickett, M.D., the inglorious but sole hero of Thomas McGuane s uproarious and profound exploration of the threads by which we all are hanging.

To Skin a Cat

Thomas McGuane’s first short story collection; 13 stories of great range, verve and humor.

Gallatin Canyon

A superb collection of stories his first in twenty years from one of our most acclaimed literary figures, whom The New York Times Book Review has called a writer of the first magnitude. Place exerts the power of destiny in these ten stories of lives uncannily recognizable and unforgettably strange: a boy makes a surprising discovery skating at night on Lake Michigan; an Irish clan in Massachusetts gather at the bedside of their dying matriarch; a battered survivor of the glory days of Key West washes up on other shores. Several of the stories unfold in Big Sky country, McGuane’s signature landscape: a father tries to buy his adult son out of virginity; a convict turned cowhand finds refuge at a ranch in ruination; a couple makes a fateful drive through the perilous gorge of the title story before parting ways. McGuane s people are seekers, beguiled by the land s beauty and myth, compelled by the fantasy of what a locale can offer, forced to reconcile dream and truth. The stories of Gallatin Canyon are alternately comical, dark, and poignant. Rich in the wit, compassion, and matchless language for which McGuane is celebrated, they are the work of a master.

The Best American Sports Writing 1992

Selected sports writings from newspapers and magazines include David Halberstam on Michael Jordan, the story of a former Mr. Universe’s steroid addiction, and Dave Barry on why the NBA is less offensive than people think.

The Best American Sports Writing 2005 (By:Mike Lupica)

The Best American series has been the premier annual showcase for the country’s finest short fiction and nonfiction since 1915. Each volume’s series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected and most popular of its kind.

The Best American Sports Writing 2005 includes

Michael Lewis Gary Smith Steve Coll Tom Verducci Ira Berkow Bill Plaschke Linda Robertson Michael Bamberger L. Jon Wertheim Thomas McGuane John Brant Pat Jordan David DiBenedetto and others

Mike Lupica, guest editor, has been a columnist for the New York Daily News since 1977 and is the best selling author of numerous books, including, most recently, Travel Team, a number one New York Times bestseller.

Some Horses

Tom McGuane loves horses. Nowhere is that more evident than in his deft and utterly fascinating essays about some of the more remarkable horses and horseme*n he has known. In these nine essays, he examines the relationship between horses and humans: what it is about horses that reveals so much about ourselves, what we see in them, why they respond to us, and the symbiosis that can result from such a match. Whether he is writing about cutting horses, learning to rope, or the birth of a foal, McGuane’s passion finds expression in his extraordinary talent. 53/4 X 81/2, 188 pages, illustrations

The Longest Silence

With ten books over a thirty year span, Thomas McGuane has proven himself over and over again ‘a virtuoso…
a writer of the first magnitude,’ as Jonathan Yardley wrote in the New York Times Book Review. ‘His sheer writing skill is nothing short of amazing.’ But he has devoted a couple decades more to another sustaining passion: the pursuit of most every sporting fish known to the angler’s hopes and dreams. The quarry from trout and salmon to striped bass, massive tarpon, and chimerical permit inhabit these thirty three essays as surely as the characters of a novel, luring the author back to childhood haunts in Michigan and Rhode Island, and on through the stages of his life in San Francisco, Key West, and Montana; from the river in his backyard to the holiest waters of the American fishery, and to such far flung locales as Ireland, Argentina, New Zealand, and Russia. As he travels with friends, with his son, alone, or in the literary company of Roderick Haig Brown or Isaak Walton, the fish take him to such subjects as ‘unfounded opinions’ on rods and reels, the classification of anglers according to the flies they prefer, family, and memory right down to why fisherman lie. ‘His essay subjects are the stuff of epics,’ Geoffrey Wolff has written, ‘and his narratives can make you laugh out loud.’Infused with a deep experience of wildlife and the outdoors, dedicated to conservation, reverent and hilarious by turns or at once, The Longest Silence sets the heart pounding for a glimpse of moving water, and demonstrates what a life dedicated to sport reveals about life.

Charles Lindsay

Charles Lindsay‘s grandfather taught him to fly fish when he was nine years old. Ever since, in pursuit of trout and solitude, he has immersed himself in the clear, rushing waters of the American West. Fly rod in hand, he participates in the ancient rituals between predator and prey. At times photographing beneath the surface of the water, Lindsay literally enters the world of the trout. In this close observance of the cosmos within the river, he explores the fundamental relationship of all life to water. The photographs in Upstream illuminate a primitive world of elemental beauty and fractured light abstract and utterly in motion. At the dawn of the twenty first century, with wilderness under siege and humanity increasingly removed from nature, Lindsay uses his camera to express the enduring vitality of the natural world. Thomas McGuane, avid fly fisherman, author, and frequent contributor to Sports Illustrated and Riverwatch, brilliantly explores these themes in his accompanying text.

Horses

Travel the world of Horses, with two major American artists as your guides.

Horses and humans have a long history together, from wild steppe to farm field to battlefield, from rodeo arena to backyard. In Horses, Jay Dusard and Thomas McGuane illuminate the special bond that grows between riders and mounts. Their book is a memorable collaboration between two masters: Dusard offers his insight in words as well as in his extraordinary photography, McGuane in a pair of essays.

‘Those who love Horses are impelled by an ever receding vision, some enchanted transformation through which the horse and the rider become a third, much greater thing,’ writes McGuane, also an acclaimed novelist and horseman. More than words, more than pictures, this slim, beautiful book is also a ‘third thing.’

‘To some people,’ McGuane observes, ‘Horses have wings.’ Comic, exquisite, gritty, and wise Horses flies on wings of its own. 45 b/w and color photos.

The Best American Short Stories 1981

Short Stories by Ann Beattie, John Updike, Cynthia Ozick, Louis D. Rubin, Mavis Gallant, Alice Munro, Elizabeth Tallent, Hortense Calisher, Joyce Carol Oates, Elizabeth Hardwick, and many others.

The Best American Short Stories 1983

Short Stories by Ann Tyler, Bill Barich, John Updike, Carolyn Chute, Ursula K. Le Guin, Raymond Carver, and many others.

The Best American Short Stories 1986

Short Stories by Ann Beattie, Ethan Canin, Joy Williams, Richard Ford, Tobias Wolff, Alice Munro, Thomas McGuane, Lord Tweedsmuir, Donald Barthelme, Raymond Carver, and many others.

The Best American Short Stories of the Eighties

The 1980s were one of the most fertile and controversial times for the Amer ican short story. Rich in craft and variety, this collection includes such c lassic and beloved stories as Peter Taylor’s ‘The Old Forest,’ Raymond Carve r’s ‘Cathedral,’ and other works by Joyce Carol Oates, Russell Banks, and a host of exciting, newer talents. Hardcover edition also available. Houghton Mifflin

The Best American Short Stories 1993

The preeminent annual collection of short fiction features the writing of John Updike, Alice Munro, Wendell Berry, Diane Johnson, Lorrie Moore, Stephen Dixon, and Mary Gaitskill.

The Best American Short Stories 1994

These twenty short stories boldly and insightfully explore the extremes of human emotions. In her story ‘Night Talkers,’ Edwidge Danticat reunites a young man and the elderly aunt who raised him in Haiti. Anthony Doerr brings readers a naturalist who discovers the surprising healing powers of a deadly cone snail. Louise Erdrich writes of an Ojibwa fiddler whose music brings him deep and mysterious joy. Here are diverse and intriguing characters a kidnapper, an immigrant nanny, an amputee blues musician who are as surprised as the reader is at what brings them happiness. In his introduction, Walter Mosley explores the definition of a good short story, and writes, ‘The writers represented in this collection have told stories that suggest much larger ideas. I found myself presented with the challenge of simple human love contrasted against structures as large as religion and death. The desire to be loved or to be seen, represented on a canvas so broad that it would take years to explain all the roots that bring us to the resolution.’ Each of these stories bravely evokes worlds brim*ming with desire and loss, humanity and possibility. Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind. Lending a fresh perspective to a perennial favorite, Walter Mosley has chosen unforgettable short stories by both renowned writers and exciting newcomers. The Best American Short Stories 2003 features poignant tales that explore the nuances of family life and love, birth and death. Here are stories that will, as Mosley writes in his introduction, ‘live with the reader long after the words have been translated into ideas and dreams. That’s because a good short story crosses the borders of our nations and our prejudices and our beliefs.’Dorothy AllisonEdwidge DanticatE. L. DoctorowLouise ErdrichAdam HaslettZZ PackerMona SimpsonMary Yukari Waters

The Best American Short Stories 1995

These twenty short stories boldly and insightfully explore the extremes of human emotions. In her story ‘Night Talkers,’ Edwidge Danticat reunites a young man and the elderly aunt who raised him in Haiti. Anthony Doerr brings readers a naturalist who discovers the surprising healing powers of a deadly cone snail. Louise Erdrich writes of an Ojibwa fiddler whose music brings him deep and mysterious joy. Here are diverse and intriguing characters a kidnapper, an immigrant nanny, an amputee blues musician who are as surprised as the reader is at what brings them happiness. In his introduction, Walter Mosley explores the definition of a good short story, and writes, ‘The writers represented in this collection have told stories that suggest much larger ideas. I found myself presented with the challenge of simple human love contrasted against structures as large as religion and death. The desire to be loved or to be seen, represented on a canvas so broad that it would take years to explain all the roots that bring us to the resolution.’ Each of these stories bravely evokes worlds brim*ming with desire and loss, humanity and possibility. Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind. Lending a fresh perspective to a perennial favorite, Walter Mosley has chosen unforgettable short stories by both renowned writers and exciting newcomers. The Best American Short Stories 2003 features poignant tales that explore the nuances of family life and love, birth and death. Here are stories that will, as Mosley writes in his introduction, ‘live with the reader long after the words have been translated into ideas and dreams. That’s because a good short story crosses the borders of our nations and our prejudices and our beliefs.’Dorothy AllisonEdwidge DanticatE. L. DoctorowLouise ErdrichAdam HaslettZZ PackerMona SimpsonMary Yukari Waters

The Best American Short Stories 1996

Each fall, The Best American Short Stories provides a fresh showcase for this rich and unpredictable genre. Selected from an unusually wide variety of publications, the choices for 1996 place stories from esteemed national magazines alongside those from some of the smallest and most innovative literary journals. Contributors include Joyce Carol Oates, Mary Gordon, Robert Olen Butler, Alice Adams, Lynn Sharon Schwartz, and an array of stunning new talent.

The Best American Short Stories 1997

The preeminent short fiction series since 1915, The Best American Short Stories is the only annual that offers the finest works chosen by a distinguished best selling guest editor. This year, E. Annie Proulx’s selection includes dazzling stories by Tobias Wolff, Donald Hall, Cynthia Ozick, Robert Stone, Junot D’az, and T. C. Boyle as well as an array of stunning new talent. In her introduction, Proulx writes that beyond their strength and vigor, these stories achieve ‘a certain intangible feel for the depth of human experience, not uncommonly expressed through a kind of dry humor.’ As ever, this year’s volume surprises and rewards.

The Best American Short Stories 1998

Edited by beloved storyteller Garrison Keillor, this year’s volume promises to be full of humor, surprises, and, as always, accomplished writing by new and familiar voices. The preeminent short fiction series since 1915, The Best American Short Stories is the only volume that annually offers the finest works chosen by a distinguished best selling author.

The Best American Short Stories 1999

‘What I look for most in a story,’ writes Amy Tan in her introduction to this year’s volume of The Best American Short Stories, ‘what I crave, what I found in these twenty one, is a distinctive voice that tells a story only that voice can tell.’ Tan found herself drawn to wonderfully original stories that satisfied her appetite for the magic and mystery she loved as a child, when she was addicted to fairy tales. In this vibrant collection, fantasy and truth coexist brilliantly in new works by writers such as Annie Proulx, Lorrie Moore, Nathan Englander, and Pam Houston. ‘The Sun, the Moon, the Stars,’ by Junot Diaz, features a young man trying to stave off heartbreak in a sacred cave in Santo Domingo. In ‘Mrs. Dutta Writes a Letter,’ by Chitra Divakaruni, a mother moves from India to California to be closer to her son, only to sacrifice something crucial along the way. In Melissa Hardy’s haunting story ‘The Uncharted Heart,’ a geologist unearths a shocking secret in the wilds of northern Ontario. ‘Maybe I’m still that kid who wants to see things I’ve never seen before,’ writes Tan. ‘I like being startled by images I never could have conjured up myself.’ With twenty one tales, each a fabulously rich journey into a different world, The Best American Short Stories 1999 is sure to surprise and delight.

The Best American Short Stories 2000

Still the only anthology shaped each year by a different guest editor always a preeminent master of the form THE BEST AMERICAN SHORT STORIES is the essential yearbook of the American literary scene. Here are the most talked about short stories of the year alongside undiscovered gems. In his introduction, guest editor E. L. Doctorow writes, ‘Here is the felt life conferred by the gifted storyteller…
who always raises two voices into the lonely universe, the character’s and the writer’s own.’ Doctorow has chosen a compelling variety of voices to usher in the new millennium, attesting to the astonishing range of human experience our best writers evoke. /Content /EditorialReview EditorialReview Source Amazon. com Review /Source Content When a great annual collection comes out, it’s hard to know the reason why. Was there a bumper crop of high quality stories, or was this year’s guest editor especially gifted at winnowing out the good ones? Either way, the 2000 edition of The Best American Short Stories is a standout in a series that can be uneven. Its editor, E.L. Doctorow, seems to have a fondness for the ‘what if?’ story, the kind of tale that posits an imagination prodding question and then attempts to answer it. Nathan Englander’s ‘The Gilgul of Park Avenue’ asks: What if a WASPy financial analyst, riding in a cab one day, discovers to his surprise that he is irrevocably Jewish? In ‘The Ordinary Son,’ Ron Carlson asks: What if you are the only average person in a family of certifiable geniuses? And Allan Gurganus’s ‘He’s at the Office’ asks: What if the quintessential postwar American working man were forced to retire? This last story is narrated by the man’s grown son, who at the story’s opening takes his dad for a walk. Though it’s the present day, the father is still dressed in his full 1950s businessman regalia, including camel hair overcoat and felt hat. The two walk by a teenager. ‘The boy smiled. ‘Way bad look on you, guy.”

My father, seeking interpretation, stared at me. I simply shook my head no. I could not explain Dad to himself in terms of tidal fashion trends. All I said was ‘I think he likes you.’

The exchange typifies the writing showcased in this anthology: in these stories, again and again, we find a breakdown of human communication that is sprightly, humorous, and devastatingly complete. A few more of the terrific stories featured herein: Amy Bloom’s ‘The Story,’ a goofy metafiction about a villainous divorcee; Geoffrey Becker’s ‘Black Elvis,’ which tells of, well, a black Elvis; and Jhumpa Lahiri’s ‘The Third and Final Continent,’ a story of an Indian man who moves to Cambridge, Massachusetts. Like the collection itself, Lahiri’s story amas*ses a lovely, funny mood as it goes along. Claire Dederer

The Best American Short Stories of the Century

Since the series’ inception in 1915, the annual volumes of The Best American Short Stories have launched literary careers, showcased the most compelling stories of each year, and confirmed for all time the significance of the short story in our national literature. Now The Best American Short Stories of the Century brings together the best of the best fifty five extraordinary stories that represent a century’s worth of unsurpassed accomplishments in this quintessentially American literary genre. Here are the stories that have endured the test of time: masterworks by such writers as Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O’Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and scores of others. These are the writers who have shaped and defined the landscape of the American short story, who have unflinchingly explored all aspects of the human condition, and whose works will continue to speak to us as we enter the next century. Their artistry is represented splendidly in these pages. THE BEST AMERICAN SHORT STORIES series has also always been known for making literary discoveries, and discovery proved to be an essential part of selecting the stories for this volume too. Collections from years past yielded a rich harvest of surprises, stories that may have been forgotten but still retain their relevance and luster. The result is a volume that not only gathers some of the most significant stories of our century between two covers but resurrects a handful of lost literary gems as well. Of all the great writers whose work has appeared in the series, only John Updike’s contributions have spanned five consecutive decades, from his first appearance, in 1959, to his most recent, in 1998. Updike worked with coeditor Katrina Kenison to choose stories from each decade that meet his own high standards of literary quality.

The Best American Short Stories 2001

Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred and twenty outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind.A wonderfully diverse collection, this year’s BEST AMERICAN SHORT STORIES from Hollywood to Hong Kong, from the Jersey shore to Wales, considering the biggest issues: love, war, health, success. Edited by the critically acclaimed, best selling author Barbara Kingsolver, The Best American Short Stories 2001 includes selections by Rick Bass, Ha Jin, Alice Munro, John Updike, and others. Highlighting exciting new voices as well as established masters of the form, this year’s collection is a testament to the good health of contemporary short fiction in this country.

The Best American Short Stories 2002

Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind.

This year’s Best American Short Stories features a rich mix of voices, from both intriguing new writers and established masters of the form like Michael Chabon, Edwidge Danticat, Richard Ford, Jhumpa Lahiri, and Arthur Miller. The 2002 collection includes stories about everything from illicit love affairs to family, the immigrant experience and badly behaved children stories varied in subject but unified in their power and humanity. In the words of this year’s guest editor, the best selling author Sue Miller, ‘The American short story today is healthy and strong…
These stories arrived in the nick of time…
to teach me once more what we read fiction for.’

The Best American Short Stories 2003

Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind. Lending a fresh perspective to a perennial favorite, Walter Mosley has chosen unforgettable short stories by both renowned writers and exciting newcomers. The Best American Short Stories 2003 features poignant tales that explore the nuances of family life and love, birth and death. Here are stories that will, as Mosley writes in his introduction, ‘live with the reader long after the words have been translated into ideas and dreams. That’s because a good short story crosses the borders of our nations and our prejudices and our beliefs.’Dorothy Allison Edwidge Danticat E. L. Doctorow Louise Erdrich Adam Haslett ZZ Packer Mona Simpson Mary Yukari Waters

The Best American Short Stories 2004

Story for story, readers can’t beat The Best American Short Stories series…
Each year it offers the opportunity to dive into the current trends and fresh voices that define the modern American short story’ Chicago Tribune. This year’s most beloved short fiction anthology is edited by the best selling novelist Sue Miller, author of While I Was Gone, and, most recently, The World Below. The volume includes stories by Edwidge Danticat, Jill McCorkle, E. L. Doctorow, Arthur Miller, and Akhil Sharma, among others. /Content /EditorialReview EditorialReview Source Amazon. com Review /Source Content In her opening remarks to The Best American Short Stories 2002, guest editor Sue Miller notes the difficulty of reading fiction produced during 2001, the year of the September 11 terrorist attacks. She also remarks that by the time she had finalized her 20 selections, this act of reading had restored her faith both in fiction’s significance and its ability to tap into timeless themes. The 2002 anthology includes stories best described as realist fiction or traditional fiction, many set in contemporary times. The tales range from E.L. Doctorow’s ‘A House on the Plains,’ a murder set at the turn of the century, to pieces with more recent settings, like ‘Puppy’ by Richard Ford, which shows how a New Orleans couple deals or doesn’t deal with the appearance of a stray dog. Both Jhumpa Lahiri’s ‘Nobody’s Business’ and Edwidge Danticat’s ‘Seven’ deftly portray the disconnection a semi assimilated Indian American and Haitian American couple experience both as partners and as U.S. citizens. Leonard Michael’s ‘Nachman from Los Angeles,’ in contrast, adds some levity to the mix. Miller adds in her preface that maybe next year the tales will depart further from tradition, but judging from this volume no departure is necessary: the selections take the reader on a delightful journey through some of America’s best contemporary writers. Jane Hodges

The Best American Short Stories 2005

The Best American Series First, Best, and Best Selling

The Best American series has been the premier annual showcase for the country’s finest short fiction and nonfiction since 1915. Each volume’s series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected and most popular of its kind.

The Best American Short Stories 2005 includes

Dennis Lehane Tom Perrotta Alice Munro Edward P. Jones Joy Williams Joyce Carol Oates Thomas McGuane Kelly Link Charles D’Ambrosio Cory Doctorow George Saunders and others

Michael Chabon, guest editor, is the best selling author of The Mysteries of Pittsburgh, Wonder Boys, A Model World, and, most recently, The Final Solution. His novel The Amazing Adventures of Kavalier and Clay won the Pulitzer Prize in 2000.

The Best American Short Stories 2006

While a single short story may have a difficult time raising enough noise on its own to be heard over the din of civilization, short stories in bulk can have the effect of swarming bees, blocking out sound and sun and becoming the only thing you can think about, writes Ann Patchett in her introduction to The Best American Short Stories 2006.

This vibrant, varied sampler of the American literary scene revels in life’s little absurdities, captures timely personal and cultural challenges, and ultimately shares subtle insight and compassion. In The View from Castle Rock, the short story master Alice Munro imagines a fictional account of her Scottish ancestors emigration to Canada in 1818. Nathan Englander s cast of young characters in How We Avenged the Blums confronts a bully dubbed The Anti Semite to both comic and tragic ends. In Refresh, Refresh, Benjamin Percy gives a forceful, heart wrenching look at a young man s choices when his father along with most of the men in his small town is deployed to Iraq. Yiyun Li s After a Life reveals secrets, hidden shame, and cultural change in modern China. And in Tatooizm, Kevin Moffett weaves a story full of humor and humanity about a young couple s relationship that has run its course.

Ann Patchett brought unprecedented enthusiasm and judiciousness to The Best American Short Stories 2006 , writes Katrina Kenison in her foreword, and she is, surely, every story writer s ideal reader, eager to love, slow to fault, exquisitely attentive to the text and all that lies beneath it.

The Best American Short Stories 2007

In his introduction to this volume, Stephen King writes, Talent does more than come out; it bursts out, again and again, doing exuberant cartwheels while the band plays ‘Stars and Stripes Forever’…
Talent can t help itself; it roars along in fair weather or foul, not sparing the fireworks. It gets emotional. It struts its stuff. In fact, that’s its job. Wonderfully eclectic, The Best American Short Stories 2007 collects stories by writers of undeniable talent, both newcomers and favorites. These stories examine the turning points in life when we, as children or parents, lovers or friends or colleagues, must break certain rules in order to remain true to ourselves. In T. C. Boyle s heartbreaking Balto, a thirteen year old girl provides devastating courtroom testimony in her father s trial. Aryn Kyle s charming story Allegiance shows a young girl caught between her despairing British mother and motherly American father. In The Bris, Eileen Pollack brilliantly writes of a son struggling to fulfill his filial obligations, even when they require a breach of morality and religion. Kate Walbert s stunning Do Something portrays one mother s impassioned and revolutionary refusal to accept her son s death. And in Richard Russo s graceful Horseman, an English professor comes to understand that plagiarism reveals more about a student than original work can. New series editor Heidi Pitlor writes, Stephen King s dedication, unflagging hard work, and enthusiasm for excellent writing shone through on nearly a daily basis this past year…
We agreed, disagreed, and in the end very much concurred on the merit of the twenty stories chosen. The result is a vibrant assortment of stories and voices brim*ming with attitude, deep wisdom, and rare compassion.

The Best Short Stories of 1921, and the Yearbook of the American Short Story

Edward Joseph Harrington O’Brien 1890 1941 was an American author, poet, editor and anthologist. He was born in Boston, Massachusetts, and attended Boston College and Harvard University. He was noted for compiling and editing an annual collection of The Best Short Stories by American authors at the beginning of the twentieth century, and also a series of The Best Short Stories by British authors. They proved to be highly influential and popular. He was also a noted author, his works including White Fountains 1917 and The Forgotten Threshold 1918.

The Best American Short Stories 2008

This brilliant collection, edited by the award winning and perennially provocative Salman Rushdie, boasts a magnificent array Library Journal of voices both new and recognized. With Rushdie at the helm, the 2008 edition reflects the variety of substance and style and the consistent quality that readers have come to expect Publishers Weekly. We all live in and with and by stories, every day, whoever and wherever we are. The freedom to tell each other the stories of ourselves, to retell the stories of our culture and beliefs, is profoundly connected to the larger subject of freedom itself. Salman Rushdie, editorThe Best American Short Stories 2008 includes KEVIN BROCKMEIER ALLEGRA GOODMAN A. M. HOMES NICOLE KRAUSS JONATHAN LETHEM STEVEN MILLHAUSER DANIYAL MUEENUDDIN ALICE MUNRO GEORGE SAUNDERS TOBIAS WOLFF and others

The Best American Short Stories 2009

Edited by critically acclaimed, best selling author Alice Sebold, the stories in this year’s collection serve as a provacative literary ‘antenna for what is going on in the world’ Chicago Tribune. The collection boasts great variety from ‘famous to first timers, sifted from major magazines and little reviews, grand and little worlds’ St. Louis Post Dispatch, ensuring yet another rewarding, eduring edition of the oldest and best selling Best American.

The Best American Short Stories 2010

Edited by the award winning, best selling author Richard Russo, this year’s collection boasts a satisfying chorus of twenty stories that are by turns playful, ironic, somber, and meditative Wall Street Journal. With the masterful Russo picking the best of the best, America s oldest and best selling story anthology is sure to be of enduring quality Chicago Tribune this year.

The Best American Short Stories 2011

With a New AfterwordAs a prizewinning foreign correspondent for The Wall Street Journal, Geraldine Brooks spent six years covering the Middle East through wars, insurrections, and the volcanic upheaval of resurgent fundamentalism. Yet for her, headline events were only the backdrop to a less obvious but more enduring drama: the daily life of Muslim women. Nine Parts of Desire is the story of Brooks’ intrepid journey toward an understanding of the women behind the veils, and of the often contradictory political, religious, and cultural forces that shape their lives. Defying our stereotypes about the Muslim world, Brooks’ acute analysis of the world’s fastest growing religion deftly illustrates how Islam’s holiest texts have been misused to justify repression of women, and how male pride and power have warped the original message of a once liberating faith.

Wild Stories

For the past decade, Men’s Journal has set the standard for travel and adventure writing by publishing the work of America s finest authors and literary journalists. Wild Stories collects thirty two of the best pieces to appear in the magazine, written by its most esteemed contributors, including Jim Harrison, Sebastian Junger, P. J. O Rourke, Rick Bass, Thomas McGuane, George Plimpton, Hampton Sides, Doug Stanton, Tim Cahill, and Mark Bowden.

Each of the four chapters in Wild Stories showcases Men s Journal s diversity and taut storytelling power. The Adventures is a series of razor sharp travel narratives, from a road trip across India on the perilous Grand Trunk Road to a search for grizzlies in Romania. The Sporting Life is a look into obscure corners of the sports world, where golf s bush league wannabes try to make it to the PGA and a group of cyclists out suffer one another in pursuit of the mythic Hour Record. Men s Lives includes profiles of singular adventurers such as Yvon Chouinard and Ned Gillette, and captures the rewards of such quintessentially male traditions as building a cabin on your own plot of land. And The Reporting collects definitive accounts of the most newsworthy disasters, as well as riveting dispatches from war zones in Somalia, Sudan, and Colombia, and from environmental hot spots in Alaska and Montana.

Commemorating Men s Journal s tenth anniversary, Wild Stories is a diverse and entertaining anthology that explores the magazine s basic creed: Life is an adventure. From the first page to the last, these are stories you ll never forget.

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