Anne Tyler Books In Order

Standalone Novels In Publication Order

  1. If Morning Ever Comes (1964)
  2. The Tin Can Tree (1965)
  3. A Slipping-Down Life (1969)
  4. The Clock Winder (1972)
  5. Celestial Navigation (1974)
  6. Searching for Caleb (1975)
  7. Earthly Possessions (1977)
  8. Morgan’s Passing (1980)
  9. Dinner at the Homesick Restaurant (1982)
  10. The Accidental Tourist (1985)
  11. Breathing Lessons (1988)
  12. Saint Maybe (1991)
  13. Ladder of Years (1995)
  14. A Patchwork Planet (1998)
  15. Back When We Were Grownups (2001)
  16. The Amateur Marriage (2004)
  17. Digging to America (2006)
  18. Noah’s Compass (2009)
  19. The Beginner’s Goodbye (2012)
  20. A Spool of Blue Thread (2015)
  21. Clock Dance (2018)
  22. Redhead by the Side of the Road (2020)
  23. French Braid (2022)

Picture Books In Publication Order

  1. Tumble Tower (1993)
  2. Timothy Tugbottom Says No! (2005)

Short Stories/Novellas In Publication Order

  1. Teenage Wasteland (2020)

Hogarth Shakespeare Books In Publication Order

  1. The Gap of Time (By:Jeanette Winterson) (2015)
  2. Shylock Is My Name (By:Howard Jacobson) (2016)
  3. Vinegar Girl (2016)
  4. Hag-Seed (By:Margaret Atwood) (2016)
  5. Dunbar (By:Edward St. Aubyn) (2017)

Best American Short Stories Books In Publication Order

  1. The Best Short Stories of 1915 (1916)
  2. The Best Short Stories of 1916 (1916)
  3. The Best Short Stories of 1917 (1917)
  4. The Best Short Stories of 1918 (1918)
  5. The Best Short Stories of 1919 (1919)
  6. The Best Short Stories of 1921 (1921)
  7. The Best Short Stories of 1922 (1922)
  8. The Best Short Stories of 1923 (1923)
  9. The Best Short Stories 1924 (1924)
  10. The Best Short Stories of 1925 (1925)
  11. The Best Short Stories 1926 (1926)
  12. The Best Short Stories 1927 (1927)
  13. The Best Short Stories of 1928 (1928)
  14. The Best Short Stories of 1929 (1929)
  15. The Best Short Stories 1930 (1930)
  16. The Best Short Stories 1931 (1931)
  17. The Best Short Stories of 1932 (1932)
  18. The Best Short Stories 1933 (1933)
  19. The Best Short Stories 1934 (1934)
  20. The Best Short Stories 1935 (1935)
  21. The Best Short Stories 1936 (1936)
  22. The Best Short Stories 1937 (1937)
  23. The Best Short Stories of 1938 (1938)
  24. 50 Best American Short Stories, 1915-1939 (1939)
  25. The Best Short Stories 1939 (1939)
  26. The Best Short Stories of 1940 (1940)
  27. The Best Short Stories 1941 (1941)
  28. The Best American Short Stories 1942 (1942)
  29. The Best American Short Stories 1943 (1943)
  30. The Best American Short Stories 1944 (1944)
  31. The Best American Short Stories 1945 (1945)
  32. The Best American Short Stories 1946 (1946)
  33. The Best American Short Stories 1947 (1947)
  34. The Best American Short Stories 1948 (1948)
  35. The Best American Short Stories 1949 (1949)
  36. The Best American Short Stories 1950 (1950)
  37. The Best American Short Stories 1951 (1951)
  38. The Best American Short Stories 1952 (1952)
  39. The Best American Short Stories 1953 (1953)
  40. The Best American Short Stories 1955 (1955)
  41. The Best American Short Stories 1956 (1956)
  42. The Best American Short Stories 1957 (1957)
  43. The Best American Short Stories 1958 (1958)
  44. The Best American Short Stories 1959 (1959)
  45. The Best American Short Stories 1960 (1960)
  46. The Best American Short Stories 1961 (1961)
  47. The Best American Short Stories 1962 (1962)
  48. The Best American Short Stories 1963 (1963)
  49. The Best American Short Stories 1964 (1964)
  50. The Best American Short Stories 1965 (1965)
  51. The Best American Short Stories 1966 (1966)
  52. The Best American Short Stories 1967 (1967)
  53. The Best American Short Stories 1968 (1967)
  54. The Best American Short Stories of 1969 (1969)
  55. The Best American Short Stories 1970 (1970)
  56. The Best American Short Stories 1971 (1971)
  57. The Best American Short Stories 1972 (1972)
  58. The Best American Short Stories 1973 (1973)
  59. The Best American Short Stories 1974 (1974)
  60. The Best of Best American Short Stories 1915-1950 (1975)
  61. The Best American Short Stories 1975 (1975)
  62. The Best American Short Stories 1976 (1976)
  63. The Best American Short Stories 1977 (1977)
  64. The Best American Short Stories 1978 (1978)
  65. The Best American Short Stories 1979 (1979)
  66. The Best American Short Stories 1980 (1980)
  67. The Best American Short Stories 1981 (1981)
  68. The Best American Short Stories 1982 (1982)
  69. The Best American Short Stories 1983 (1983)
  70. The Best American Short Stories 1984 (1984)
  71. The Best American Short Stories 1985 (1985)
  72. The Best American Short Stories 1986 (1986)
  73. The Best American Short Stories 1987 (1987)
  74. The Best American Short Stories 1988 (1988)
  75. The Best American Short Stories 1989 (1989)
  76. The Best American Short Stories of the Eighties (1990)
  77. The Best American Short Stories 1990 (1990)
  78. The Best American Short Stories 1991 (1991)
  79. The Best American Short Stories 1992 (1992)
  80. The Best American Short Stories 1993 (1993)
  81. The Best American Short Stories 1994 (1994)
  82. The Best American Short Stories 1995 (1995)
  83. The Best American Short Stories 1996 (1996)
  84. The Best American Short Stories 1997 (1997)
  85. The Best American Short Stories 1998 (1998)
  86. The Best American Short Stories 1999 (1999)
  87. The Best American Short Stories 2000 (2000)
  88. The Best American Short Stories of the Century (2000)
  89. The Best American Short Stories 2001 (2001)
  90. The Best American Short Stories 2002 (2002)
  91. The Best American Short Stories 2003 (2003)
  92. The Best American Short Stories 2004 (2004)
  93. The Best American Short Stories 2005 (2005)
  94. The Best American Short Stories 2006 (2006)
  95. The Best American Short Stories 2007 (2007)
  96. The Best Short Stories of 1921, and the Yearbook of the American Short Story (2007)
  97. The Best American Short Stories1921 (2007)
  98. The Best American Short Stories 2008 (2008)
  99. The Best American Short Stories 2009 (2009)
  100. The Best American Short Stories 2010 (2010)
  101. The Best American Short Stories 2011 (2011)
  102. The Best American Short Stories 2012 (2012)
  103. The Best American Short Stories 2013 (2013)
  104. The Best American Short Stories 2014 (2014)
  105. The Best American Short Stories 2015 (2015)
  106. 100 Years of The Best American Short Stories (2015)
  107. The Best American Short Stories 2016 (2016)
  108. The Best American Short Stories 2017 (2017)
  109. The Best American Short Stories 2018 (2018)
  110. The Best American Short Stories 2019 (2019)
  111. The Best American Short Stories 2020 (2020)

Standalone Novels Book Covers

Picture Book Covers

Short Stories/Novellas Book Covers

Hogarth Shakespeare Book Covers

Best American Short Stories Book Covers

Anne Tyler Books Overview

If Morning Ever Comes

Ben Joe is at college studying law when he gets a letter from his family saying one of his six sisters, Joanne, has returned home having left her husband, bringing her baby with her. Ben Joe goes home, and when he returns he remembers the past, the death of his father, his first girlfriend. He visits his father’s girlfriend and then his own ex girlfriend, Shelley. Shelley now has a boyfriend, John, but they see each other anyway, and in the interim, Joanne starts seeing John, until her husband turns up to take her home. Ben Joe asks Shelley to go back with him and marry him, so once everyone has got back to the way they were, he heads off to college again, with Shelley.

The Tin Can Tree

In the small town of Larksville, the Pike family is hopelessly out of step with the daily rhythms of life after the tragic, accidental death of six year old Janie Rose. Mrs. Pike seldom speaks, blaming herself, while Mr. Pike is forced to come out of his long, comfortable silence. Then there is ten year old Simon, who is suddenly without a baby sister and without understanding why she’s gone. Those closest to this shattered family must learn to comfort them and confront their own private shadows of hidden grief. If time cannot draw them out of the dark, then love may be their only hope…
.

A Slipping-Down Life

Evie Decker is a shy, slightly plump teenager with a distant father and hours and hours of silence to fill. Then one night she hears local rock singer Drumstrings Casey on the radio and becomes instantly attracted to his cool, motionless voice. Evie learns that Drumstrings frequently plays at a dingy roadhouse called The Unicorn. So she goes there and, with an uncharacteristically bold gesture, bursts out of her lonely shell and into the attentive gaze of an intangible man who becomes all too real…
.

The Clock Winder

Having sacked her handyman, newly widowed Mrs Emerson finds a replacement in Elizabeth, a lanky, awkward girl. The Emersons have a reputation for craziness, there are seven adult children, and Elizabeth finds herself drawn into their disorderly lives against her will. But in the end it is hard to tell whether she is a victim of the needy Emersons, or the de facto ruler of the family.

Celestial Navigation

‘Tyler is steadily raising a body of fiction of major dimensions.’THE NEW YORK TIMESThirty eight year old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jaremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn especially when he’s falling in love…
. From the Paperback edition.

Searching for Caleb

‘Magic and true, dazzling and wise…
It has an astounding confidence, depth and range…
A wonderful, wonderful novel.’THE BOSTON GLOBEDuncan Peck has a fascination for randomness and is always taking his family on the move. His wife, Justine, is a fortune teller who can’t remember the past. Her grandfather, Daniel, longs to find the brother who walked out of his life in 1912, with nothing more than a fiddle in his hand. All three are taking journeys that lead back to the family’s deepest roots…
to a place where rebellion and acceptance have the haunting power to merge into one…
. From the Paperback edition.

Earthly Possessions

‘To read a novel by Anne Tyler is to fall in love.’PEOPLECharlotte Emory has always lived a quiet, conventional life in Clarion, Maryland. She lives as simply as possible, and one day decides to simplify everything and leave her husband. Her last trip to the bank throws Charlotte’s life into an entirely different direction when a restless young man in a nylon jacket takes her hostage during the robbery and soon the two are heading south into an unknown future, and a most unexpected fate…
. From the Paperback edition.

Morgan’s Passing

Morgan Gower has an outsize hairy beard, an array of peculiar costumes and fantastic headwear, and a serious smoking habit. He likes to pretend to be other people a jockey, a shipping magnate, a foreign art dealer and he likes to do this more and more since his massive brood of daughters are all growing up, getting married and finding him embarrassing. Then comes his first dramatic encounter with Emily and Leon Meredith, and the start of an extraordinary obsession.

Dinner at the Homesick Restaurant

Beautiful…
funny, heart hammering, wise…
superb entertainment. The New York Times A book that should join those few that every literate person will have to read. The Boston GlobePearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore’s Calvert Street, abandoning Pearl to raise their three children alone: Jenny, high spirited and determined, nurturing to strangers but distant to those she loves; the older son, Cody, a wild and incorrigible youth possessed by the lure of power and money; and sweet, clumsy Ezra, Pearl s favorite, who never stops yearning for the perfect family that could never be his own. Now Pearl and her three grown children have gathered together again with anger, hope, and a beautiful, harsh, and dazzling story to tell. A novelist who knows what a proper story is…
Tyler is not only a good and artful writer, but a wise one as well. Newsweek Anne Tyler is surely one of the most satisfying novelists working in America today. Chicago Tribune In her ninth novel she has arrived at a new level of power. John Updike, The New Yorker Marvelous, astringent, hilarious, and strewn with the banana peels of love. Cosmopolitan

The Accidental Tourist

POIGNANT…
FUNNY…
The Accidental Tourist IS ONE OF HER BEST…
. TYLER HAS NEVER BEEN STRONGER. The New York TimesMacon Leary is a travel writer who hates both travel and anything out of the ordinary. He is grounded by loneliness and an unwillingness to compromise his creature comforts when he meets Muriel, a deliciously peculiar dog obedience trainer who up ends Macon’s insular world and thrusts him headlong into a remarkable engagement with life. BITTERSWEET…
EVOCATIVE…
It s easy to forget this is the warm lull of fiction; you half expect to run into her characters at the dry cleaners…
Tyler is a writer of great compassion. The Boston Globe Tyler has given us an endlessly diverting book whose strength gathers gradually to become a genuinely thrilling one. Los Angeles Times A DELIGHT…
A GRACEFUL COMIC NOVEL ABOUT GETTING THROUGH LIFE. The Wall Street Journal

Breathing Lessons

Breathing Lessons‘ covers the events of a day in the life of Maggie Moran, nearing fifty, married to Ira and with two children. Her eternal optimism and her inexhaustible passion for sorting out other people’s lives and willing them to fall in love is severely tested one hot summer day. Maggie and Ira drive from Baltimore to Deer Lick to attend the funeral of the husband of Serena, Maggie’s childhood friend. During the course of the journey, with its several unexpected detours into the lives of old friends and grown children Anne Tyler shows us all there is to know about a marriage: the expectations; the disappointments; the way children can create storms in a family; the way the wife and husband can fall in love all over again; the way that everything and nothing changes.

Saint Maybe

9 weeks on the New York Times bestseller list!’A novel that attests once again to Ms. Tyler’s enormous gifts as a writer.’ THE NEW YORK TIMES ‘Captivating…
. Compelling…
. There is a kind of magic at work in this novel.’ THE WASHINGTON POST BOOK WORLD In 1965, the happy Bedloe family is living an ideal, apple pie existence in Baltimore. Then, in the blink of an eye, a single tragic event occurs that will transform their lives forever particularly that of seventeen year old Ian Bedloe, the youngest son, who blames himself for the sudden ‘accidental’ death of his older brother. Depressed and depleted, Ian is almost crushed under the weight of an unbearable, secret guilt. Then one crisp January evening, he catches sight of a window with glowing yellow neon, the CHURCH OF THE SECOND CHANCE. He enters and soon discovers that forgiveness must be earned, through a bit of sacrifice and a lot of love…
A New York Times Notable Book

Ladder of Years

Anne Tyler tells the story of a forty year old woman, the mother of three almost grown children, who, on a sudden impulse, walks away from her marriage, hitches a ride into the unknown, and settles in a strange new town to invent a new life. What propels Delia Grinstead, the wife of a Baltimore physician, as she is spending another rainy vacation with husband, children, and assorted relatives? Is it old hurts and humiliations that surface this particular summer? The feeling that she has become expendable? The memory, perhaps, of that angular young man in the supermarket who asked her to pose as his girlfriend when he runs into his ex wife? Or is it simply the lure of the local repairman’s beautifully self sufficient van, sailing off, unencumbered? Whatever, Delia takes off, wearing only her swimsuit and her husband’s beach robe, and doesn’t stop until she is suddenly captivated by a quiet little tree lined town. There she halts the van, hops off, finds a room to rent, and settles in. So begins her new, impersonal life as Ms. Grinstead. But inevitably, the world crowds in. New friends, new responsibilities accumulate from a stray cat who craves a home to a sad, deserted husband and his little boy who need her to fill a hole in their lives. Once again, Anne Tyler dazzles us with her magic. Saint Maybe, The Accidental Tourist, Breathing Lessons, Dinner at the Homesick Restaurant, Morgan’s Passing, and The Clock Winder, by Anne Tyler, are also available from Random House AudioBooks.

A Patchwork Planet

See the difference, read bestselling author Anne Tyler in Large Print About Large PrintAll Random House Large Print editions are published in a 16 point typefaceIn this, her fourteenth novel and one of her most endearing Anne Tyler tells the story of a lovable loser who’s trying to get his life in order. Barnaby Gaitlin has been in trouble ever since adolescence. He had this habit of breaking into other people’s houses. It wasn’t the big loot he was after, like his teenage cohorts. It was just that he liked to read other people’s mail, pore over their family photo albums, and appropriate a few of their precious mementos. But for eleven years now, he’s been working steadily for Rent a Back, renting his back to old folks and shut ins who can’t move their own porch furniture or bring the Christmas tree down from the attic. At last, his life seems to be on an even keel. Still, the Gaitlins of ‘old’ Baltimore cannot forget the price they paid for buying off Barnaby’s former victims. And his ex wife would just as soon he didn’t show up ever to visit their little girl, Opal. Even the nice, steady woman his guardian angel? who seems to have designs on him doesn’t fully trust him, it develops, when the chips are down, and it looks as though his world may fall apart again. There is no one like Anne Tyler, with her sharp, funny, tender perceptions about how human beings navigate on a puzzling planet, and she keeps us enthralled from start to finish in this delicious new novel.

Back When We Were Grownups

‘Once upon a time, there was a woman who discovered that she had turned into the wrong person.’ So Anne Tyler opens this irresistible new novel. The woman is Rebecca Davitch, a fifty three year old grandmother. Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else s?On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large spirited older man, a divorc with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high ceilinged rooms of The Open Arms. Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un awares by the question of who she really is. How she answers it how she tries to recover her girlhood self, that dignified grownup she had once been is the story told in this beguiling, funny, and deeply moving novel. As always with Anne Tyler s novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser. From the Hardcover edition.

The Amateur Marriage

From the inimitable Anne Tyler, a rich and compelling novel about a mismatched marriage and its consequences, spanning three generations. They seemed like the perfect couple young, good looking, made for each other. The moment Pauline, a stranger to the Polish Eastern Avenue neighborhood of Baltimore though she lived only twenty minutes away, walked into his mother’s grocery store, Michael was smitten. And in the heat of World War II fervor, they are propelled into a hasty wedding. But they never should have married. Pauline, impulsive, impractical, tumbles hit or miss through life; Michael, plodding, cautious, judgmental, proceeds deliberately. While other young marrieds, equally ignorant at the start, seemed to grow more seasoned, Pauline and Michael remain amateurs. In time their foolish quarrels take their toll. Even when they find themselves, almost thirty years later, loving, instant parents to a little grandson named Pagan, whom they rescue from Haight Ashbury, they still cannot bridge their deep rooted differences. Flighty Pauline clings to the notion that the rifts can always be patched. To the unyielding Michael, they become unbearable. From the sound of the cash register in the old grocery to the counterculture jargon of the sixties, from the miniskirts to the multilayered apparel of later years, Anne Tyler captures the evocative nuances of everyday life during these decades with such telling precision that every page brings smiles of recognition. Throughout, as each of the competing voices bears witness, we are drawn ever more fully into the complex entanglements of family life in this wise, embracing, and deeply perceptive novel. From the Hardcover edition.

Digging to America

Friday August 15th, 1997 The night the girls arrived, two tiny Korean babies are delivered to Baltimore to two families who have no more in common than this. First there are the Donaldsons, decent Brad and homespun, tenacious Bitsy with her ‘more organic than thou’ airs, who believes fervently that life can always be improved, two full sets of grandparents and a host of big boned, confident relatives, taking delivery with characteristic American razzmatazz. Then there are the Yazdans, pretty, nervous Ziba her family ‘only one generation removed from the bazaar’ and carefully assimilated Sami, with his elegant, elusive Iranian born widowed mother Maryam, the grandmother to be, receiving their little bundle with wondering discretion. Every year, on the anniversary of ‘Arrival Day’ their two extended families celebrate together, with more and more elaborately competitive parties, as tiny, delicate Susan, wholesome, stocky Jin ho and, later, her new little sister Xiu Mei, take roots, become American. While Maryam, the optimistic pessimist, confident that if things go wrong as well they may she will manage as she has before, contrarily preserves her ‘outsider’ status, as if to prove that, despite her passport, she is only a guest in this bewildering country. Full of achingly hilarious moments and toe curling misunderstandings, ‘Digging to America‘ is a novel with a deceptively small domestic canvas, and subtly large themes it’s about belonging and otherness, about insiders and outsiders, pride and prejudice, young love and unexpected old love, families and the impossibility of ever getting it right, about striving for connection and goodness against all the odds. And the end catches you by the throat, ambushes your emotions when you least expect it, as only Tyler can.

Noah’s Compass

From the incomparable Anne Tyler, a wise, gently humorous, and deeply compassionate novel about a schoolteacher, who has been forced to retire at sixty one, coming to terms with the final phase of his life.

Liam Pennywell, who set out to be a philosopher and ended up teaching fifth grade, never much liked the job at that run down private school, so early retirement doesn t bother him. But he is troubled by his inability to remember anything about the first night that he moved into his new, spare, and efficient condominium on the outskirts of Baltimore. All he knows when he wakes up the next day in the hospital is that his head is sore and bandaged.

His effort to recover the moments of his life that have been stolen from him leads him on an unexpected detour. What he needs is someone who can do the remembering for him. What he gets is well, something quite different.

We all know a Liam. In fact, there may be a little of Liam in each of us. Which is why Anne Tyler’s lovely novel resonates so deeply.

From the Hardcover edition.

The Beginner’s Goodbye

Anne Tyler gives us a wise, haunting, and deeply moving new novel in which she explores how a middle aged man, ripped apart by the death of his wife, is gradually restored by her frequent appearances in their house, on the roadway, in the market. Crippled in his right arm and leg, Aaron spent his childhood fending off a sister who wants to manage him. So when he meets Dorothy, a plain, outspoken, self dependent young woman, she is like a breath of fresh air. Unhesitatingly he marries her, and they have a relatively happy, unremarkable marriage. But when a tree crashes into their house and Dorothy is killed, Aaron feels as though he has been erased forever. Only Dorothy’s unexpected appearances from the dead help him to live in the moment and to find some peace. Gradually he discovers, as he works in the family s vanity publishing business, turning out titles that presume to guide beginners through the trials of life, that maybe for this beginner there is a way of saying goodbye. A beautiful, subtle exploration of loss and recovery, pierced throughout with Anne Tyler s humor, wisdom, and always penetrating look at human foibles.

Tumble Tower

It’s one thing if you’re a messy little girl, but what if you’re a messy little princess and your father says your room is a disgrace to the kingdom? This is the story of Princess Molly, whose hopelessly cluttered room saves the royal family. Full color illustrations.

Timothy Tugbottom Says No!

Timothy Tugbottom knows what he likes and he definitely does not like different. Blueberry muffins for breakfast? A new book at bedtime? A brand new big boy bed? No thank you, not for him. He’s perfectly happy with his favorite cereal and his alphabet book not to mention the warm, safe crib he s been sleeping in his whole life. Although he has to admit his crib isn t quite as comfortable as it used to be…
.

The Best American Short Stories 1981

Short Stories by Ann Beattie, John Updike, Cynthia Ozick, Louis D. Rubin, Mavis Gallant, Alice Munro, Elizabeth Tallent, Hortense Calisher, Joyce Carol Oates, Elizabeth Hardwick, and many others.

The Best American Short Stories 1983

Short Stories by Ann Tyler, Bill Barich, John Updike, Carolyn Chute, Ursula K. Le Guin, Raymond Carver, and many others.

The Best American Short Stories 1986

Short Stories by Ann Beattie, Ethan Canin, Joy Williams, Richard Ford, Tobias Wolff, Alice Munro, Thomas McGuane, Lord Tweedsmuir, Donald Barthelme, Raymond Carver, and many others.

The Best American Short Stories of the Eighties

The 1980s were one of the most fertile and controversial times for the Amer ican short story. Rich in craft and variety, this collection includes such c lassic and beloved stories as Peter Taylor’s ‘The Old Forest,’ Raymond Carve r’s ‘Cathedral,’ and other works by Joyce Carol Oates, Russell Banks, and a host of exciting, newer talents. Hardcover edition also available. Houghton Mifflin

The Best American Short Stories 1993

The preeminent annual collection of short fiction features the writing of John Updike, Alice Munro, Wendell Berry, Diane Johnson, Lorrie Moore, Stephen Dixon, and Mary Gaitskill.

The Best American Short Stories 1994

These twenty short stories boldly and insightfully explore the extremes of human emotions. In her story ‘Night Talkers,’ Edwidge Danticat reunites a young man and the elderly aunt who raised him in Haiti. Anthony Doerr brings readers a naturalist who discovers the surprising healing powers of a deadly cone snail. Louise Erdrich writes of an Ojibwa fiddler whose music brings him deep and mysterious joy. Here are diverse and intriguing characters a kidnapper, an immigrant nanny, an amputee blues musician who are as surprised as the reader is at what brings them happiness. In his introduction, Walter Mosley explores the definition of a good short story, and writes, ‘The writers represented in this collection have told stories that suggest much larger ideas. I found myself presented with the challenge of simple human love contrasted against structures as large as religion and death. The desire to be loved or to be seen, represented on a canvas so broad that it would take years to explain all the roots that bring us to the resolution.’ Each of these stories bravely evokes worlds brim*ming with desire and loss, humanity and possibility. Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind. Lending a fresh perspective to a perennial favorite, Walter Mosley has chosen unforgettable short stories by both renowned writers and exciting newcomers. The Best American Short Stories 2003 features poignant tales that explore the nuances of family life and love, birth and death. Here are stories that will, as Mosley writes in his introduction, ‘live with the reader long after the words have been translated into ideas and dreams. That’s because a good short story crosses the borders of our nations and our prejudices and our beliefs.’Dorothy AllisonEdwidge DanticatE. L. DoctorowLouise ErdrichAdam HaslettZZ PackerMona SimpsonMary Yukari Waters

The Best American Short Stories 1995

These twenty short stories boldly and insightfully explore the extremes of human emotions. In her story ‘Night Talkers,’ Edwidge Danticat reunites a young man and the elderly aunt who raised him in Haiti. Anthony Doerr brings readers a naturalist who discovers the surprising healing powers of a deadly cone snail. Louise Erdrich writes of an Ojibwa fiddler whose music brings him deep and mysterious joy. Here are diverse and intriguing characters a kidnapper, an immigrant nanny, an amputee blues musician who are as surprised as the reader is at what brings them happiness. In his introduction, Walter Mosley explores the definition of a good short story, and writes, ‘The writers represented in this collection have told stories that suggest much larger ideas. I found myself presented with the challenge of simple human love contrasted against structures as large as religion and death. The desire to be loved or to be seen, represented on a canvas so broad that it would take years to explain all the roots that bring us to the resolution.’ Each of these stories bravely evokes worlds brim*ming with desire and loss, humanity and possibility. Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind. Lending a fresh perspective to a perennial favorite, Walter Mosley has chosen unforgettable short stories by both renowned writers and exciting newcomers. The Best American Short Stories 2003 features poignant tales that explore the nuances of family life and love, birth and death. Here are stories that will, as Mosley writes in his introduction, ‘live with the reader long after the words have been translated into ideas and dreams. That’s because a good short story crosses the borders of our nations and our prejudices and our beliefs.’Dorothy AllisonEdwidge DanticatE. L. DoctorowLouise ErdrichAdam HaslettZZ PackerMona SimpsonMary Yukari Waters

The Best American Short Stories 1996

Each fall, The Best American Short Stories provides a fresh showcase for this rich and unpredictable genre. Selected from an unusually wide variety of publications, the choices for 1996 place stories from esteemed national magazines alongside those from some of the smallest and most innovative literary journals. Contributors include Joyce Carol Oates, Mary Gordon, Robert Olen Butler, Alice Adams, Lynn Sharon Schwartz, and an array of stunning new talent.

The Best American Short Stories 1997

The preeminent short fiction series since 1915, The Best American Short Stories is the only annual that offers the finest works chosen by a distinguished best selling guest editor. This year, E. Annie Proulx’s selection includes dazzling stories by Tobias Wolff, Donald Hall, Cynthia Ozick, Robert Stone, Junot D’az, and T. C. Boyle as well as an array of stunning new talent. In her introduction, Proulx writes that beyond their strength and vigor, these stories achieve ‘a certain intangible feel for the depth of human experience, not uncommonly expressed through a kind of dry humor.’ As ever, this year’s volume surprises and rewards.

The Best American Short Stories 1998

Edited by beloved storyteller Garrison Keillor, this year’s volume promises to be full of humor, surprises, and, as always, accomplished writing by new and familiar voices. The preeminent short fiction series since 1915, The Best American Short Stories is the only volume that annually offers the finest works chosen by a distinguished best selling author.

The Best American Short Stories 1999

‘What I look for most in a story,’ writes Amy Tan in her introduction to this year’s volume of The Best American Short Stories, ‘what I crave, what I found in these twenty one, is a distinctive voice that tells a story only that voice can tell.’ Tan found herself drawn to wonderfully original stories that satisfied her appetite for the magic and mystery she loved as a child, when she was addicted to fairy tales. In this vibrant collection, fantasy and truth coexist brilliantly in new works by writers such as Annie Proulx, Lorrie Moore, Nathan Englander, and Pam Houston. ‘The Sun, the Moon, the Stars,’ by Junot Diaz, features a young man trying to stave off heartbreak in a sacred cave in Santo Domingo. In ‘Mrs. Dutta Writes a Letter,’ by Chitra Divakaruni, a mother moves from India to California to be closer to her son, only to sacrifice something crucial along the way. In Melissa Hardy’s haunting story ‘The Uncharted Heart,’ a geologist unearths a shocking secret in the wilds of northern Ontario. ‘Maybe I’m still that kid who wants to see things I’ve never seen before,’ writes Tan. ‘I like being startled by images I never could have conjured up myself.’ With twenty one tales, each a fabulously rich journey into a different world, The Best American Short Stories 1999 is sure to surprise and delight.

The Best American Short Stories 2000

Still the only anthology shaped each year by a different guest editor always a preeminent master of the form THE BEST AMERICAN SHORT STORIES is the essential yearbook of the American literary scene. Here are the most talked about short stories of the year alongside undiscovered gems. In his introduction, guest editor E. L. Doctorow writes, ‘Here is the felt life conferred by the gifted storyteller…
who always raises two voices into the lonely universe, the character’s and the writer’s own.’ Doctorow has chosen a compelling variety of voices to usher in the new millennium, attesting to the astonishing range of human experience our best writers evoke. /Content /EditorialReview EditorialReview Source Amazon. com Review /Source Content When a great annual collection comes out, it’s hard to know the reason why. Was there a bumper crop of high quality stories, or was this year’s guest editor especially gifted at winnowing out the good ones? Either way, the 2000 edition of The Best American Short Stories is a standout in a series that can be uneven. Its editor, E.L. Doctorow, seems to have a fondness for the ‘what if?’ story, the kind of tale that posits an imagination prodding question and then attempts to answer it. Nathan Englander’s ‘The Gilgul of Park Avenue’ asks: What if a WASPy financial analyst, riding in a cab one day, discovers to his surprise that he is irrevocably Jewish? In ‘The Ordinary Son,’ Ron Carlson asks: What if you are the only average person in a family of certifiable geniuses? And Allan Gurganus’s ‘He’s at the Office’ asks: What if the quintessential postwar American working man were forced to retire? This last story is narrated by the man’s grown son, who at the story’s opening takes his dad for a walk. Though it’s the present day, the father is still dressed in his full 1950s businessman regalia, including camel hair overcoat and felt hat. The two walk by a teenager. ‘The boy smiled. ‘Way bad look on you, guy.”

My father, seeking interpretation, stared at me. I simply shook my head no. I could not explain Dad to himself in terms of tidal fashion trends. All I said was ‘I think he likes you.’

The exchange typifies the writing showcased in this anthology: in these stories, again and again, we find a breakdown of human communication that is sprightly, humorous, and devastatingly complete. A few more of the terrific stories featured herein: Amy Bloom’s ‘The Story,’ a goofy metafiction about a villainous divorcee; Geoffrey Becker’s ‘Black Elvis,’ which tells of, well, a black Elvis; and Jhumpa Lahiri’s ‘The Third and Final Continent,’ a story of an Indian man who moves to Cambridge, Massachusetts. Like the collection itself, Lahiri’s story amas*ses a lovely, funny mood as it goes along. Claire Dederer

The Best American Short Stories of the Century

Since the series’ inception in 1915, the annual volumes of The Best American Short Stories have launched literary careers, showcased the most compelling stories of each year, and confirmed for all time the significance of the short story in our national literature. Now The Best American Short Stories of the Century brings together the best of the best fifty five extraordinary stories that represent a century’s worth of unsurpassed accomplishments in this quintessentially American literary genre. Here are the stories that have endured the test of time: masterworks by such writers as Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O’Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and scores of others. These are the writers who have shaped and defined the landscape of the American short story, who have unflinchingly explored all aspects of the human condition, and whose works will continue to speak to us as we enter the next century. Their artistry is represented splendidly in these pages. THE BEST AMERICAN SHORT STORIES series has also always been known for making literary discoveries, and discovery proved to be an essential part of selecting the stories for this volume too. Collections from years past yielded a rich harvest of surprises, stories that may have been forgotten but still retain their relevance and luster. The result is a volume that not only gathers some of the most significant stories of our century between two covers but resurrects a handful of lost literary gems as well. Of all the great writers whose work has appeared in the series, only John Updike’s contributions have spanned five consecutive decades, from his first appearance, in 1959, to his most recent, in 1998. Updike worked with coeditor Katrina Kenison to choose stories from each decade that meet his own high standards of literary quality.

The Best American Short Stories 2001

Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred and twenty outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind.A wonderfully diverse collection, this year’s BEST AMERICAN SHORT STORIES from Hollywood to Hong Kong, from the Jersey shore to Wales, considering the biggest issues: love, war, health, success. Edited by the critically acclaimed, best selling author Barbara Kingsolver, The Best American Short Stories 2001 includes selections by Rick Bass, Ha Jin, Alice Munro, John Updike, and others. Highlighting exciting new voices as well as established masters of the form, this year’s collection is a testament to the good health of contemporary short fiction in this country.

The Best American Short Stories 2002

Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to the twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind.

This year’s Best American Short Stories features a rich mix of voices, from both intriguing new writers and established masters of the form like Michael Chabon, Edwidge Danticat, Richard Ford, Jhumpa Lahiri, and Arthur Miller. The 2002 collection includes stories about everything from illicit love affairs to family, the immigrant experience and badly behaved children stories varied in subject but unified in their power and humanity. In the words of this year’s guest editor, the best selling author Sue Miller, ‘The American short story today is healthy and strong…
These stories arrived in the nick of time…
to teach me once more what we read fiction for.’

The Best American Short Stories 2003

Since its inception in 1915, the Best American series has become the premier annual showcase for the country’s finest short fiction and nonfiction. For each volume, a series editor reads pieces from hundreds of periodicals, then selects between fifty and a hundred outstanding works. That selection is pared down to twenty or so very best pieces by a guest editor who is widely recognized as a leading writer in his or her field. This unique system has helped make the Best American series the most respected and most popular of its kind. Lending a fresh perspective to a perennial favorite, Walter Mosley has chosen unforgettable short stories by both renowned writers and exciting newcomers. The Best American Short Stories 2003 features poignant tales that explore the nuances of family life and love, birth and death. Here are stories that will, as Mosley writes in his introduction, ‘live with the reader long after the words have been translated into ideas and dreams. That’s because a good short story crosses the borders of our nations and our prejudices and our beliefs.’Dorothy Allison Edwidge Danticat E. L. Doctorow Louise Erdrich Adam Haslett ZZ Packer Mona Simpson Mary Yukari Waters

The Best American Short Stories 2004

Story for story, readers can’t beat The Best American Short Stories series…
Each year it offers the opportunity to dive into the current trends and fresh voices that define the modern American short story’ Chicago Tribune. This year’s most beloved short fiction anthology is edited by the best selling novelist Sue Miller, author of While I Was Gone, and, most recently, The World Below. The volume includes stories by Edwidge Danticat, Jill McCorkle, E. L. Doctorow, Arthur Miller, and Akhil Sharma, among others. /Content /EditorialReview EditorialReview Source Amazon. com Review /Source Content In her opening remarks to The Best American Short Stories 2002, guest editor Sue Miller notes the difficulty of reading fiction produced during 2001, the year of the September 11 terrorist attacks. She also remarks that by the time she had finalized her 20 selections, this act of reading had restored her faith both in fiction’s significance and its ability to tap into timeless themes. The 2002 anthology includes stories best described as realist fiction or traditional fiction, many set in contemporary times. The tales range from E.L. Doctorow’s ‘A House on the Plains,’ a murder set at the turn of the century, to pieces with more recent settings, like ‘Puppy’ by Richard Ford, which shows how a New Orleans couple deals or doesn’t deal with the appearance of a stray dog. Both Jhumpa Lahiri’s ‘Nobody’s Business’ and Edwidge Danticat’s ‘Seven’ deftly portray the disconnection a semi assimilated Indian American and Haitian American couple experience both as partners and as U.S. citizens. Leonard Michael’s ‘Nachman from Los Angeles,’ in contrast, adds some levity to the mix. Miller adds in her preface that maybe next year the tales will depart further from tradition, but judging from this volume no departure is necessary: the selections take the reader on a delightful journey through some of America’s best contemporary writers. Jane Hodges

The Best American Short Stories 2005

The Best American Series First, Best, and Best Selling

The Best American series has been the premier annual showcase for the country’s finest short fiction and nonfiction since 1915. Each volume’s series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected and most popular of its kind.

The Best American Short Stories 2005 includes

Dennis Lehane Tom Perrotta Alice Munro Edward P. Jones Joy Williams Joyce Carol Oates Thomas McGuane Kelly Link Charles D’Ambrosio Cory Doctorow George Saunders and others

Michael Chabon, guest editor, is the best selling author of The Mysteries of Pittsburgh, Wonder Boys, A Model World, and, most recently, The Final Solution. His novel The Amazing Adventures of Kavalier and Clay won the Pulitzer Prize in 2000.

The Best American Short Stories 2006

While a single short story may have a difficult time raising enough noise on its own to be heard over the din of civilization, short stories in bulk can have the effect of swarming bees, blocking out sound and sun and becoming the only thing you can think about, writes Ann Patchett in her introduction to The Best American Short Stories 2006.

This vibrant, varied sampler of the American literary scene revels in life’s little absurdities, captures timely personal and cultural challenges, and ultimately shares subtle insight and compassion. In The View from Castle Rock, the short story master Alice Munro imagines a fictional account of her Scottish ancestors emigration to Canada in 1818. Nathan Englander s cast of young characters in How We Avenged the Blums confronts a bully dubbed The Anti Semite to both comic and tragic ends. In Refresh, Refresh, Benjamin Percy gives a forceful, heart wrenching look at a young man s choices when his father along with most of the men in his small town is deployed to Iraq. Yiyun Li s After a Life reveals secrets, hidden shame, and cultural change in modern China. And in Tatooizm, Kevin Moffett weaves a story full of humor and humanity about a young couple s relationship that has run its course.

Ann Patchett brought unprecedented enthusiasm and judiciousness to The Best American Short Stories 2006 , writes Katrina Kenison in her foreword, and she is, surely, every story writer s ideal reader, eager to love, slow to fault, exquisitely attentive to the text and all that lies beneath it.

The Best American Short Stories 2007

In his introduction to this volume, Stephen King writes, Talent does more than come out; it bursts out, again and again, doing exuberant cartwheels while the band plays ‘Stars and Stripes Forever’…
Talent can t help itself; it roars along in fair weather or foul, not sparing the fireworks. It gets emotional. It struts its stuff. In fact, that’s its job. Wonderfully eclectic, The Best American Short Stories 2007 collects stories by writers of undeniable talent, both newcomers and favorites. These stories examine the turning points in life when we, as children or parents, lovers or friends or colleagues, must break certain rules in order to remain true to ourselves. In T. C. Boyle s heartbreaking Balto, a thirteen year old girl provides devastating courtroom testimony in her father s trial. Aryn Kyle s charming story Allegiance shows a young girl caught between her despairing British mother and motherly American father. In The Bris, Eileen Pollack brilliantly writes of a son struggling to fulfill his filial obligations, even when they require a breach of morality and religion. Kate Walbert s stunning Do Something portrays one mother s impassioned and revolutionary refusal to accept her son s death. And in Richard Russo s graceful Horseman, an English professor comes to understand that plagiarism reveals more about a student than original work can. New series editor Heidi Pitlor writes, Stephen King s dedication, unflagging hard work, and enthusiasm for excellent writing shone through on nearly a daily basis this past year…
We agreed, disagreed, and in the end very much concurred on the merit of the twenty stories chosen. The result is a vibrant assortment of stories and voices brim*ming with attitude, deep wisdom, and rare compassion.

The Best Short Stories of 1921, and the Yearbook of the American Short Story

Edward Joseph Harrington O’Brien 1890 1941 was an American author, poet, editor and anthologist. He was born in Boston, Massachusetts, and attended Boston College and Harvard University. He was noted for compiling and editing an annual collection of The Best Short Stories by American authors at the beginning of the twentieth century, and also a series of The Best Short Stories by British authors. They proved to be highly influential and popular. He was also a noted author, his works including White Fountains 1917 and The Forgotten Threshold 1918.

The Best American Short Stories 2008

This brilliant collection, edited by the award winning and perennially provocative Salman Rushdie, boasts a magnificent array Library Journal of voices both new and recognized. With Rushdie at the helm, the 2008 edition reflects the variety of substance and style and the consistent quality that readers have come to expect Publishers Weekly. We all live in and with and by stories, every day, whoever and wherever we are. The freedom to tell each other the stories of ourselves, to retell the stories of our culture and beliefs, is profoundly connected to the larger subject of freedom itself. Salman Rushdie, editorThe Best American Short Stories 2008 includes KEVIN BROCKMEIER ALLEGRA GOODMAN A. M. HOMES NICOLE KRAUSS JONATHAN LETHEM STEVEN MILLHAUSER DANIYAL MUEENUDDIN ALICE MUNRO GEORGE SAUNDERS TOBIAS WOLFF and others

The Best American Short Stories 2009

Edited by critically acclaimed, best selling author Alice Sebold, the stories in this year’s collection serve as a provacative literary ‘antenna for what is going on in the world’ Chicago Tribune. The collection boasts great variety from ‘famous to first timers, sifted from major magazines and little reviews, grand and little worlds’ St. Louis Post Dispatch, ensuring yet another rewarding, eduring edition of the oldest and best selling Best American.

The Best American Short Stories 2010

Edited by the award winning, best selling author Richard Russo, this year’s collection boasts a satisfying chorus of twenty stories that are by turns playful, ironic, somber, and meditative Wall Street Journal. With the masterful Russo picking the best of the best, America s oldest and best selling story anthology is sure to be of enduring quality Chicago Tribune this year.

The Best American Short Stories 2011

With a New AfterwordAs a prizewinning foreign correspondent for The Wall Street Journal, Geraldine Brooks spent six years covering the Middle East through wars, insurrections, and the volcanic upheaval of resurgent fundamentalism. Yet for her, headline events were only the backdrop to a less obvious but more enduring drama: the daily life of Muslim women. Nine Parts of Desire is the story of Brooks’ intrepid journey toward an understanding of the women behind the veils, and of the often contradictory political, religious, and cultural forces that shape their lives. Defying our stereotypes about the Muslim world, Brooks’ acute analysis of the world’s fastest growing religion deftly illustrates how Islam’s holiest texts have been misused to justify repression of women, and how male pride and power have warped the original message of a once liberating faith.

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