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Revenger: A Novel of Tudor Intrigue Hardcover – Deckle Edge, June 21, 2011
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Now, five years later, the Queen needs Shakespeare’s services once more. Not only is England still at war with Spain, but her court is riven by savage infighting among ambitious young courtiers.
Shakespeare is summoned by Elizabeth’s cold but deadly Privy Councillor Sir Robert Cecil and ordered to undertake two linked missions: to investigate the mystery of the doomed Roanoke colony in North America—Sir Walter Ralegh’s folly—and to spy on Cecil’s rival, the dashing Earl of Essex.
Essex is the brightest star in the firmament, the Queen’s favorite. But when Shakespeare enters Essex’s dissolute world, he discovers not only that the Queen herself is in danger, but that he and his family are also targets. With a plague devastating the country, Catholics facing persecution and martyrdom at the hands of an infamous torturer, and John’s own wife, Catherine, possibly protecting a priest—Shakespeare has his own survival to secure, as well as that of his fading but still feisty Queen.
Filled with the flavor and facts of a tumultuous time in English history, Revenger is a stunning novel of savage rivalries and reprisals from an author swiftly becoming a known master of historical suspense.
- Print length448 pages
- LanguageEnglish
- PublisherBantam
- Publication dateJune 21, 2011
- Dimensions5.93 x 1.46 x 8.54 inches
- ISBN-100385342845
- ISBN-13978-0385342841
The chilling story of the abduction of two teenagers, their escape, and the dark secrets that, years later, bring them back to the scene of the crime. | Learn more
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Editorial Reviews
Review
“Set in Elizabethan England, Clements's sequel to his debut, Martyr, raises him to the top rank of historical thriller writers….Clements presents an intricate web of plots and subplots while vividly evoking the tenor of the times. Shakespeare makes a fascinating lead, perfectly suited to sustain what one hopes will be a long series.”
—Publishers Weekly (starred review)
“Rich with period detail, Revenger is a gripping tale of Elizabethan intrigue that brings Tudor England thrillingly to life.
Revenger is equal parts history and mystery and wholly enthralling.”
—Deanna Raybourn, author of The Dark Enquiry
“An enthralling tale of treason, espionage, and mystery….With a deft hand an eye for detail, Mr. Clements sweeps us from London’s squalid back alleys to its
palatial noble mansions during the waning days of Elizabeth I’s reign. Crackling with suspense, Shakespeare’s latest adventure has
enough twists and turns to keep you reading long into the night.”
—C.W. Gortner, author of The Confessions of Catherine de Medici
“Out of the rough straw of Elizabethan history, Rory Clements has spun entertainment gold.”
—G.J. Meyers, author of The Tudors
“A historical thriller to send a shiver down your spine….Energy, élan, a fine ear for dialogue and a grasp for the intrigues of
Queen Elizabeth I’s court….I could not tear myself away, it is that good.”
—Daily Mail
“A historical thriller to send a shiver down your spine.”—Daily Mail (U.K.)
Praise for Rory Clements’s Martyr
“[An] engrossing thriller.”—The Washington Post
“A world spiced with delicious characters . . . Clements seasons it with romance and humour.”—The Mail on Sunday (U.K.)
“Beautifully done . . . alive and tremendously engrossing.”—The Daily Telegraph (U.K.)
“[An] excellent debut . . . The characters, action and period detail are all solid.”—Publishers Weekly (starred review)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
IN THE HEAT OF THE EVENING, JUST AS DAYLIGHT began to drift into dusk, Joe Jaggard took Amy Le Neve's hand in his and pulled her willingly away from her wedding feast.
Amy was slight, little more than five foot and less than a hundredweight. Her fair hair shone in the last of the light, and her skin was as clear and soft as a milkmaid's. She was sixteen, yet her hand in Joe's great right hand was like a child's. He was eighteen years, six foot or more, lean and muscular and golden. In his left hand he clasped a wine flagon.
They ran on, breathless, until her bare foot struck a sharp flint and she faltered, crying out in shock and pain. Joe stopped and laid her down in the long grass. He kissed her foot and sucked the blood that trickled from the sole.
Tears flowed down her cheeks. Joe cupped her head in his hands, his fingers tangling in her tear-drenched hair, and kissed her face all over. He held her to him, engulfing her.
She pulled open his chemise of fine cambric; he pushed her wedding smock away from her calves, up over her flawless thighs, crumpling the thin summer worsted. It was lovemaking, but it was warfare, too: the last delirious stabbings in a battle they knew to be lost.
Joe took a draft from the flagon. "You know what, doll," he said, and his voice became high-pitched, "I do believe you are an abomination. Get you behind me, daughter of Satan, for you are profane and impure and as frail as the rib of Adam. Verily, I say you are fallen into corruption."
She jabbed him sharply in the ribs with her elbow. "I'll abominate you," she said, laughing with him. She sobered. "The funny thing is, though, he really talks like that."
"Winterberry? Winter-turd is what I call him. He's a dirty, breech-shitting lecher of a man, I do reckon. Puritans they call them. He's as pure as swine-slurry, steeped in venery and lewdness. He's got a face like a dog that's never been out of the kennel and a suit of clothes so black and stark they'd scare the Antichrist back into hell. He's buying you, paying for you as he might bargain for a whore at a Southwark stew."
They were silent a few moments. In the distance, they could just hear the occasional whisper of music caught on the warm breeze.
"We'll go," said Joe. "We'll go to London. I've got gold."
"I can't leave my family. They'll get the law on us. You'll be locked away and whipped. Strung up at Tyburn. I don't know what."
He turned to her, angry now. "Would you rather go to his bed? Would you have him play with you?"
"You know I don't want that! They forced me to marry him."
He turned his gaze from her. "I'll kill them all, Amy. I'll do for them--your kin, the lot. I'll scrape the figs from Winter-turd's arse and push them down his throat."
She kissed him. "It's hopeless. I'll have to go back there tonight. I'm a married woman now."
His eyes were closed. Then he opened them and smiled at her. "No, doll," he said. "There's stuff we can do. I can do. I promise you I can make it so we can be together forever. Trust me. Now kiss me again."
They kissed, long and lingering. It was the last thing they ever did. They had not heard the creeping footfalls in the grass.
The first blow killed Joe. He knew nothing of it. Amy had no more than two seconds to register the horror, before the second blow came.
Chapter 2
JOHN SHAKESPEARE FOUND HIS WIFE, CATHERINE, in the oak-paneled school hall, teaching their four-year-old daughter, Mary, her alphabet from a hornbook. Catherine met his eye but she did not smile. She tossed back her long dark hair as if ridding herself of a fly. Shakespeare sensed her anger and did his best to ignore it. He knew what she wanted to discuss, so he deliberately avoided the subject and said, "Rumsey Blade is set on flogging Pimlock yet again."
"Yes," she said curtly. "I know. Six stripes. Blade has it in for the boy."
"Pimlock takes it with fortitude."
"Well, I don't, John. How can boys study when they face such punishments?"
There was nothing more to be said on the subject. It was merely another worry for Shakespeare to deal with as High Master of the Margaret Woode School for the Poor Boys of London. Like it or not, they were stuck with Rumsey Blade and his beloved birchrods; he had been inflicted on them by the fiercely Protestant Bishop Aylmer to ensure no Roman Catholic teachings burrowed their way into the curriculum. Catherine's Papist leanings were well known and disliked.
"But there was the other matter . . ." Catherine continued.
Shakespeare's neck muscles tensed. "Must we talk about such things in front of the child?"
Catherine patted her daughter. "Kiss your father and go to Jane," she said briskly. Mary, delicate and comely like her mother, ran to Shakespeare and stood to receive and give a kiss, then ran off to find the maid, Jane Cooper, in the nursery.
"Now you have no excuse to avoid the subject."
"We have nothing to discuss," Shakespeare said, painfully aware of how brittle he must sound. "My position is plain. You must not go to the mass."
Catherine stood up and faced her husband. Her blue eyes were cold and unloving. "I have surrendered to you on every aspect of our lives together," she said quietly. "Our daughter is brought up conforming to the Anglican church, we run a conformist school, and I entertain no priests under our roof. I even attend the parish church so that I incur no fines for recusancy. Do you not think I have played my part, John?"
"I know it, Catherine, but . . ."
"Then why forbid me this one boon?"
John Shakespeare did not like to cross his wife. Usually it was pointless to do so, anyway, for she had a stubborn way. Yet this request was one he would fight to the bitter conclusion. He could not have her putting herself and the family in jeopardy.
"You know why, Catherine," he said, his face set.
"No, John, I do not know why. I need you to explain it to me again, for I am but a mere woman and of simple wit."
It would be a secret Roman Catholic mass. Such events were fraught with danger; simply to know the whereabouts of a priest, let alone harbor one, could lead to torture and the scaffold. And this mass was yet more perilous, for it was to be said by the fugitive Jesuit Father Robert Southwell, a man Catherine Shakespeare knew as a friend. He had evaded capture for six years and was regarded by Queen Elizabeth and her Privy Council as an irritant thorn to be plucked from their flesh at all costs.
"Catherine," he said, trying to soften his voice--the last thing he wanted was this rift between them to escalate into an unbridgeable gulf--"I know you have made many compromises. But have I not done likewise? Did I not forsake my career with Walsingham to marry you?"
"So I must obey you?" Catherine said, almost spitting the words.
"I would rather you made your own--considered--decision. But, yes, I say you must obey me in this." He had never spoken to her like this before.
She glared at him. When she spoke, her words were harsh. "So, as Thomas Becon says in his Christian State of Matrimony, women and horses must be well governed. Is that how you are guided?" She laughed with derision. "Am I a mare to be so treated by you, Mr. Shakespeare?"
"I have no more to say on the matter, Mistress Shakespeare. You will not go to a mass, especially not one said by the priest Southwell. He is denounced as a traitor. To consort with him would taint you and the rest of us with treason. Would you give Topcliffe the evidence he needs to destroy us and send our child in chains to the treadmill at Bridewell?" An unwelcome image came to mind of his old foe, the cruel priest-hunter Richard Topcliffe. "Let that be an end to it."
Shakespeare turned and strode away. He did not look back, because he had no wish to meet her withering glare. He went to the courtyard and sat on a low wall, in the shade. He was shaking. This was bad, very bad. She was being utterly wrongheaded.
Behind him in the courtyard, he heard unequal footsteps and turned to see his old friend and assistant Boltfoot Cooper shuffling toward him, dragging his clubfoot awkwardly on the cobbled stones. It occurred to Shakespeare that Boltfoot was becoming slower in his movements as he neared the age of forty. Perhaps this quiet life as a school gatekeeper did not suit an old mariner and veteran of Drake's circumnavigation.
"Boltfoot?"
"You have a visitor, Mr. Shakespeare. A Mr. McGunn would speak with you. He has a serving-man with him."
"Do we know Mr. McGunn? Is he the father of a prospective pupil?"
Boltfoot shook his head. "He says he is sent by the Earl of Essex to treat with you."
Shakespeare's furrowed brow betrayed his surprise. He laughed lightly. "Well, I suppose I had better see him."
"I shall show him through."
"Not here, Boltfoot. I will go to the library. Show this McGunn and his servant to the anteroom and offer them refreshment, then bring them to me in five minutes."
As Shakespeare climbed the oaken staircase to the high-windowed library, with its shelves of books collected by the founder of this school, Thomas Woode, and, latterly, by himself, he considered Essex. He was famed throughout the land as Queen Elizabeth's most favored courtier, a gallant blessed with high birth, dashing looks, courage in battle, sporting prowess, and the charm to enchant a princess. It was said he had even supplanted Sir Walter Ralegh in the Queen's affections. What interest could the Earl of Essex have in an obscure schoolmaster like Shakespeare, a man so far from the center of public life that he doubted anyone at court even knew his name?
McGunn was a surprise. Shakespeare had half expected a livery-clad bluecoat to appear, but McGunn looked like no flunky Shakespeare had ever seen. He was of middle height, thick-set, with the fearless, belligerent aspect of a bull terrier about him. He had big, knotted hands. His face and head were bare and bald, save for two graying eyebrows beneath a gnarled and pulpy forehead. A heavy gold hoop was pierced into the lobe of his left ear. He smiled with good humor and held out a firm, meaty hand to John Shakespeare.
"Mr. Shakespeare, it is a pleasure to meet you," he said.
"Mr. McGunn?"
"Indeed."
Shakespeare guessed his accent to be Irish, but from which part or class of that dark, forbidding island he had no way of knowing. His attire struck him as incongruous: a wide, starched ruff circled his thick neck, a doublet finely braided with thread of gold girded his trunk, and he wore hose of good-quality blue serge and netherstocks the color of corn. It seemed to Shakespeare that he had a working man's face and body in a gentleman's clothing.
The serving-man at his side was introduced merely as Slyguff. He looked no more the bluecoat of a great house than did McGunn, though he was less richly dressed, in the buff jerkin of a smithy or a carter. Slyguff was smaller and thinner than his master. He was wiry like the taut cable of a ship's anchor, with a narrow face and a sharp, gristly nose. Though smaller, he looked every bit as formidable as McGunn. One of Slyguff's eyes, the left one, was dead, and the other betrayed no emotion at all.
"I hope that Mr. Cooper has offered you some ale. It is another hot day."
"Indeed, it is and indeed, he has, Mr. Shakespeare," McGunn said, smiling warmly. "For which we are both grateful. To tell you true, I could have drunk the Irish Sea dry this day."
"How may I help you, Mr. McGunn?"
"Well, you could start by giving us yet more ale. No, no, I jest. We are here because we are sent by my lord of Essex to escort you to him at Essex House. He wishes to speak with you."
"The Earl of Essex wishes to speak with me?"
"That is correct, Mr. Shakespeare."
"Why should he wish to speak to an unknown schoolmaster, Mr. McGunn?"
"Perchance he wants lessons in Latin, or a little learning in counting. Could you help him with that, now? Or maybe you could show him how to command his temper, for certain he is as moody as the weather."
"Mr. McGunn, I fear you jest again."
"I do, I do. The truth is he wishes your advice on a particular matter of interest. But for certain you don't do yourself credit when you call yourself an 'unknown schoolmaster.' Who has not heard of the brilliant exploits of John Shakespeare on behalf of Queen and country?"
"Mr. McGunn, that is ancient history."
"Not in the Earl's eyes, it's not. He is mighty impressed by the tale of your fierce courage in the face of an implacable foe. As am I, may I add. You have done admirable work, sir."
Shakespeare accepted the compliment with good grace and bowed with a slight smile on his lips. "And what sort of advice is the Earl of Essex seeking, Mr. McGunn? He must know I am retired from my work as an intelligencer."
"That is for him to say, Mr. Shakespeare. I am merely his humble servant."
McGunn did not look at all humble, thought Shakespeare. Were it not for the fine clothes, he and Slyguff were the kind of duo an honest subject of Her Majesty might well cross the road to avoid. Yet for all his brutish appearance, McGunn seemed a good-humored fellow, and Shakespeare had to admit that he was intrigued. Who would not wish to meet the renowned Essex? "Well, then, let us make an appointment, and I will be there."
"No, Mr. Shakespeare, we are to accompany you to him now. My lord of Essex does not wait on appointments."
"Well, I am afraid he will have to wait. I have a lesson to conduct within the hour."
McGunn smiled and clapped Shakespeare on the shoulder with a hand the size of a kitchen wife's sieve. "Come now, Mr. Shakespeare, are you not High Master of this school? Delegate one of your lesser masters to take over your tutoring for the morning. The Earl is a busy man and I know he will make it worth your while to take the time to meet him. Here." McGunn took a gold coin from his purse and spun it in the air. He caught it and held it between thumb and forefinger in front of Shakespeare's eyes. "That's for starters. Take it. There's plenty more where that came from."
Shakespeare did not take the gold coin. He stared McGunn in the eye and saw only gently mocking humor. "Very well," he said. "I will come with you. But give me a few minutes to arrange my lesson and let my wife know where I am going."
As he spoke the words, he experienced a sense of dread; the battle with Catherine was far from done.
Product details
- Publisher : Bantam
- Publication date : June 21, 2011
- Edition : First Edition
- Language : English
- Print length : 448 pages
- ISBN-10 : 0385342845
- ISBN-13 : 978-0385342841
- Item Weight : 1.21 pounds
- Dimensions : 5.93 x 1.46 x 8.54 inches
- Book 2 of 7 : John Shakespeare Mysteries
- Best Sellers Rank: #4,483,079 in Books (See Top 100 in Books)
- #2,782 in Historical Thrillers (Books)
- #5,542 in Historical Mystery
- Customer Reviews:
About the author

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Learn more how customers reviews work on AmazonCustomers say
Customers enjoy this historical mystery novel for its intrigue intertwined with history and fast-paced plot. The book features well-developed characters, with one review highlighting the inclusion of interesting female characters. Customers find the writing quality excellent, with one noting how the language captures the period, and they appreciate the series as a whole.
AI Generated from the text of customer reviews
Customers enjoy the mystery elements of the book, particularly its blend of intrigue and history, with one customer specifically mentioning the royal throne intrigues.
"...you want to be taken back to late 16th century England and like a good mystery that is fast paced and full of surprises." Read more
"An intricate series of mysteries involving extraordinary historical figures at play with the intelligencer, John Shakespeare, who just happens to be..." Read more
"...all the titles by this diverting writer who clearly loves and knows the period. Nice twists and characterization. More please." Read more
"The John Shakespeare mystery series is wonderful. The characters are solid and believable...." Read more
Customers find the book enjoyable and fun to read, describing it as believable.
"...everyday characters bring that world alive with their ambitions, joys, loves, rivalries, and jealousies...." Read more
"...All in all it is a great read if you want to be taken back to late 16th century England and like a good mystery that is fast paced and full of..." Read more
"This book is amazing. John Shakespeare has so many problems to deal with...." Read more
"Terrific read. You will want to read all the titles by this diverting writer who clearly loves and knows the period...." Read more
Customers enjoy the plot of the book, finding it interesting and fun, with one customer noting its fast-paced nature and another mentioning its great Elizabethan storytelling style.
"...The plot itself is fast-paced and engaging. While technically a mystery, this is much more than a simple "who-dun it"...." Read more
"...environment and times of that period and it is not pleasant but it is fascinating...." Read more
"...Nice twists and characterization. More please." Read more
"...The plots are out of the ordinary, the characters are well drawn and the series is binge-worthy." Read more
Customers appreciate the well-developed characters in the book, with one customer noting the inclusion of interesting female characters.
"...The characters are well developed, multi-dimensional and believable. A very good read." Read more
"...There are real characters and facts augmented by fictional characters and plots...." Read more
"...Well done. I also liked that he included interesting female characters...." Read more
"...are living history no matter what the plot is and some of the characters are very dark, even the heroes and their are actions and consequences that..." Read more
Customers find the book well written and easy to read, with one customer noting how the language captures the historical period.
"...And that’s just the very beginning. The author expertly carries the plot (plots) through, and, as complicated as it gets, it all comes..." Read more
"...Clements is a good writer; seemingly getting better with each book." Read more
"Terrific read. You will want to read all the titles by this diverting writer who clearly loves and knows the period...." Read more
"...Because these are easy reads, they could easily fall into the YA category, but sexual details (not Clements' writing forte) would nudge them from..." Read more
Customers appreciate the pacing of the book, describing it as fast-paced.
"...back to late 16th century England and like a good mystery that is fast paced and full of surprises." Read more
"...John Shakespeare is an investigator, incorruptible and loyal to Cecil and the Queen...." Read more
"...So, I'll give three stars for crisp writing and fast-moving, exciting plots, hoping the author will continue to improve." Read more
"WELL RESEARCHED. JOHN IS A FASCINATING CHARACTER: STRONG YET VULNERABLE. BOLTFOOT IS LOYAL TO A FAULT...." Read more
Customers enjoy the series, with one mentioning it is the third book in the series.
"...I'm pleased that there is a third book in the series, already published in England and that I ordered from AmazonUK...." Read more
"Fabulous series wherein the elder brother of the poet, William Shakespeare, is drafted by Walsingham to be one of his spies for Elizabeth I. John..." Read more
"good series" Read more
"Early English intrigue. Good series." Read more
Top reviews from the United States
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- Reviewed in the United States on July 11, 2015Set in the turbulent period after the sinking of the Armada, when an aging, heirless Elizabeth leaves the royal succession unclear. A vengeful Spain lurks, plague and draught abound, while the English nobility and their retainers continue to plot and scheme for royal favor and personal advancement.
This writer does a great job of centering the actions on the streets of London and other towns where everyday characters bring that world alive with their ambitions, joys, loves, rivalries, and jealousies. The author paints great images of an emerging English society that is violent, but working to establish the rule of law; that is newly Protestant, and struggling to defend itself against encircling Catholic nations; that is commerce-driven and just beginning to hit its stride as a sailing/trading power.
The plot itself is fast-paced and engaging. While technically a mystery, this is much more than a simple "who-dun it". The characters are well developed, multi-dimensional and believable. A very good read.
- Reviewed in the United States on December 18, 2014John Shakespeare (Bill's older brother) is retired as an "intelligencer" and is running a school. He is called out of retirement to seek a women named Eleanor Dare, the mother of Virginia Dare, the first child born in the lost colony of Roanoke. Eleanor is believed to have returned to England and the Earl of Essex wants her found. John's investigation into that matter leads him to believe that there is another plot to overthrow Queen Elizabeth.
I didn't enjoy this novel as much as I have other novels in the John Shakespeare series. There is too much jumping around from plot device to plot device. In the first chapter, two young people are murdered. We don't hear any more about that until half way through the book and then the story shifts to investigating that murder. Then back to searching for Ms Dare, then back to the convoluted plot to overthrow the Queen. And then John is having domestic problems. John forbids his wife to go to a clandestine worship that would endanger her, him and their child. It turns out to have been a trap and his wife and he are saved from being hanged for treason with their child being sent to a workhouse. Is she grateful? No, she just stays mad at him until near the end of the book where she miraculously acts like nothing has happened.
I enjoy historical mysteries. This one gives the reader a good sense of what it was like to live in Elizabethan times. There are real characters and facts augmented by fictional characters and plots. But this story veers too far into pure fiction concerning what may have happened to the Roanoke colony. Even as fiction it is just too unbelievable.
- Reviewed in the United States on June 22, 2016This is the second book in Rory Clements series of life and times in Elizabethan England (starting around 1587). I like this series you get to feel, touch, smell and see the environment and times of that period and it is not pleasant but it is fascinating. With this series, so far, you are living history no matter what the plot is and some of the characters are very dark, even the heroes and their are actions and consequences that are not always fair or just.
All in all it is a great read if you want to be taken back to late 16th century England and like a good mystery that is fast paced and full of surprises.
- Reviewed in the United States on June 24, 2016This book is amazing. John Shakespeare has so many problems to deal with. He had tried to retire from the intelligencer business, but the powers that be simply won’t let him. He is brought back against his will to work for both the Earl of Essex and Robert Cecil (not an easy combination). Essex has heard a rumor that a woman from the New World colony set up by his rival, Sir Walter Raleigh, has been sighted in London. But, that should be impossible. Essex wants the facts. Meanwhile, Shakespeare’s wife is under threat as a Papist, and their differing views are causing a rift in their marriage. And bodies are found, one the daughter of a person somehow entangled in Shakespeare’s investigation. And that’s just the very beginning.
The author expertly carries the plot (plots) through, and, as complicated as it gets, it all comes together and makes sense throughout. Well done. I also liked that he included interesting female characters.
He also has conveyed the struggle and filth of everyday life in the latter days of the reign of Elizabeth. It’s very smart, well researched, and very readable. I couldn’t put it down.
That said, I would hesitate to read another book in the series (this was my first) simply because of all the blood and gore. It certainly was a violent age, and Shakespeare is investigating violent crimes, so the book does not have the sense of gratuitous violence, but it is certainly relentless. I am not a fan of violent movies or books. As much as I admire the author’s skill, I’m not sure I want to be subjected to such grim violence again.
Top reviews from other countries
- Kindle CustomerReviewed in Italy on November 29, 2018
5.0 out of 5 stars excellent
Really good storie line
- Amazon CustomerReviewed in Canada on August 30, 2015
5.0 out of 5 stars A great read!
Plot, characters up to previous books in the series! A great read!
- Nicholas PeckReviewed in the United Kingdom on March 29, 2025
5.0 out of 5 stars Read Martyr first!
Second in the series and very difficult to put down. I am really enjoying Rory Clements!
-
AndyReviewed in Italy on January 9, 2020
4.0 out of 5 stars Da leggere col fiato sospeso
Mi è piaciuto molto come finora altri della serie John Shakespeare. Sono romanzi avvincenti, molto ben scritti e costruiti, con tanti, a volte troppi, colpi di scena che non ti permettono di rilassarti un attimo. Succede sempre qualcosa che non ti aspetti. Un solo piccolo difetto, secondo me : il protagonista è uno che non sbaglia mai e non ha un difetto, sempre affascinante e sicuro di sé. Personalmente preferisco i protagonisti, un po' più umili e bruttarelli ma altrettanto efficaci, di Andrew Taylor e C. J. Sansom. Comunque la serie vale assolutamente la pena, soprattutto per chi è appassionato del periodo Tudor.
- Mieczyslaw KasprzykReviewed in the United Kingdom on May 21, 2012
4.0 out of 5 stars A good Tudor thriller!
John Shakespeare (yes, I know, I found it a bit difficult as well but William does play a small role in both the books I've read) gets set a task. It's not one he relishes but it's made totally clear that he hasn't a lot of choice. There have been claims that a survivor from the disappeared Roanoke expedition has been seen in London - totally bonkers possibility since Roanoke is in the Americas and the place is a savage land. The Earl of Essex (not a nice man) has "requested" Shakespeare's skills in discovering the truth so that he can destroy the reputation of his enemy Sir Walter Raleigh - but Robert Cecil, Essex's rival in the Elizabethan Court, has also called on Shakespeare's help (in order to destroy Essex) and you don't refuse either! In fact this is a very good read which holds one's attention all the way through. There are murders and violence, even the plague, but there is also a great mystery - and a conspiracy - at the heart of this tale. A Tudor thriller that well deserves reading!