Synopses & Reviews
This pathbreaking work argues that literate gentry women in seventeenth-century Jiangnan, far from being oppressed or silenced, created a rich culture and meaningful existence within the constraints of the Confucian system. Momentous socioeconomic and intellectual changes in seventeenth-century Jiangnan provided the stimulus for the flowering of women's culture. The most salient of these changes included a flourishing of commercial publishing, the rise of a reading public, a new emphasis on emotions, the promotion of women's education, and, more generally, the emergence of new definitions of womanhood. The author reconstructs the social, emotional, and intellectual worlds of seventeenth-century women, and in doing so provides a new way to conceptualize China's past, one offering a more realistic and complete understanding of the values of Chinese culture and the functioning of Chinese society.
Synopsis
A Stanford University Press classic.
Synopsis
Rejecting both popular image and accepted Western and Chinese scholarship on the status of women in premodern China, this pathbreaking work argues that literate gentrywomen in seventeenth-century Jiangnan were far from being oppressed or silenced. The author reconstructs the social, emotional, and intellectual worlds of these women from the interstices between ideology, practice, and self-perception.
Synopsis
“Ko challenges simplistic depictions of women as victims and argues that within their social and cultural constraints, a womens literary culture developed that transcended public and private spheres and redefined womanhood. . . . This multifaceted book is a breakthrough in the study of women as part of Chinese cultural and social history.”—Choice
Synopsis
This book reveals the existence of a previously unknown stratum of literate women among the urban gentry in seventeenth- and eighteenth-century China.
Description
Includes bibliographical references (p. [351]-377) and index.
Table of Contents
Introduction: gender and the politics of Chinese history; Part I. Social and Private Histories: 1. In the floating world: women and commercial publishing; 2. The enchantment of love in The Poetry Pavilion; Part II. Womanhood: 3. Margins of domesticity: enlarging the women's sphere; 4. Talent, virtue, and beauty: rewriting womanhood; Part III. Women's culture: 5. Domestic communities: male and female domains; 6. Social and public communities: genealogies across time and space; 7. Transitory communities: courtesan, wife, and professional artist; Epilogue; Reference matter; Notes; Index.