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9027253331 - Vincent Van Gogh Oculi: Studies in the Arts of the Low Countries by K?dera, Tsukasa (2 results)
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Vincent van Gogh : Christianity versus nature / Tsukasa Kodera; Oculi, 3
Published by Amsterdam [u.a.] : Benjamins,, 1990
ISBN 10: 9027253331ISBN 13: 9789027253330
Book
Gebundene Ausgabe. Condition: Gut. X, 283 S., zahlr. Illustration(en) In English language. Hardbound with title to spine and cover, without = no dust-jacket. Former library copy of a museum with external labelings removed from boards with clean text and well preserved. Signature stamps and inscriptions on imprint. + + + Original-Pappeinband m. Rücken- und Deckelbetitelung, ohne = kein Schutzumschlag. Ordentlich ausgesondertes Bestandexemplar einer Museums-Bibliothek mit entfernten äußerlichen Kennzeichnungen in textsauberer u. gepflegter Erhaltung. Signatur- / Entwidmungsstempel a. Druckvermerk. 9027253331 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Englisch Gewicht in Gramm: 550 en, Zugl.: Amsterdam, Univ., Diss., 1988.
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Vincent Van Gogh.Christianity versus nature
Published by John Benjamins Publishing, Amsterdam-Philadelphia, 1990
ISBN 10: 9027253331ISBN 13: 9789027253330
Book First Edition
Couverture rigide. Condition: Neuf. Dust Jacket Condition: Neuf. Edition originale. Vincent van Gogh Christianity versus nature Tsukasa Kodera Hardbound - Available ISBN 978 90 272 5333 0 | EUR 285.00 This book analyzes the deeper meaning of recurring themes in van Gogh s uvre, such as the sower, the sun and the sunflower, against the religious background of his time. It traces the conflict between Christianity and nature that underlies the process of substitution of natural for Christian symbols which we find in van Gogh s uvre. The author has made a careful inventory of the principal motifs in van Gogh s uvre and studied the ways in which these have been combined and manipulated. By this method it can be demonstrated, not only that initially van Gogh uses explicitly Christian motifs such as the church spire, but also that their function is later taken over by motifs from nature like the sun and the starry night. Kodera discusses the meaning of these symbols and quotes extensively from contemporary material and from van Gogh s letters to show how this process of naturalization was influenced by specific artistic sources such as French Naturalist novels and Japanese prints. [OCULI: Studies in the Arts of the Low Countries, 3] 1990. xii, 283 pp. 120 bl./wh.ills.,8 color il Publishing status: Available Size: in-8°.
